Cameron Woo is The Bark's co-founder and publisher.
February 11 2015
Ruth Silverman is a treasure. She combines a curator’s eye for fine photography with a lifelong passion for dogs. It has resulted in two seminal books The Dog: 100 Years of Classic Photography and The Dog Observed, numerous photo exhibits and a personal collection that rivals many museums. The Bark crossed paths with Ruth many years ago, and she has been an invaluable advisor to our efforts on many fronts, introducing us to a host of great photographers and art of all kinds that have graced our pages. Ruth is one of those people who seem to know everyone, after having been a curator for the International Center of Photography in New York, as well as a successful photojournalist. She takes delight in connecting creative parties, be it in art, writing or publishing—Ruth is a cultural matchmaker.
Visiting Ruth in her home in Berkeley is like a trip to gallery row. Every wall, shelf and corner is filled with fine prints, paintings and photographs … a framed André Kertész, a William Wegman Polaroid, a classic Nicholas Nixon. We were excited to hear that Ruth has donated a good portion of her collection to raise money to help the dogs she so dearly loves. Friends have organized a month-long online auction to benefit both the SPCA’s “Take Your Best Shot” program, which increases the adoption rate in high‐kill, low-income shelters by presenting quality, attractive portraits of available pets to potential adopters, and the HSUS’ “Pets for Life” program, which addresses the need for spay and neuter services in underserved communities.
The appropriately named “Good Dog Art Exhibition and Silent Auction” can be viewed online at http://tinyurl.com/GoodDogArt through February 26, 2015. It’s a wonderful opportunity to acquire first-rate photography and art while helping animals in need and the programs that serve them. And if you happen to be in the Bay Area this month, you can view the art in person at two venues—Wag Hotels and San Francisco SPCA. A special Good Dog Art Party is being held at Wag Hotels on the closing night of the auction, February 26. Tickets can be purchased at the URL above. We hope you’ll expand your art collection and help the dogs!
December 3 2014
Ever wonder how a professional athlete handles the pressure of competition and a grueling 6-month long schedule? For burgeoning NBA star Klay Thompson of the Golden State Warriors, it’s a walk in the park … the dog park. When Klay isn’t in the gym or on the road, he likes to take his dog Rocco, an English bulldog, to his local off-leash area at Cesar Chavez Park in nearby Berkeley (CA). We’ve seen him there, playing fetch and doing what dog people do … unwinding, taking in some fresh air. “With me, my friends or my family, I can’t help but talk about basketball, so this is my escape,” Thompson is quoted in a San Francisco Chronicle profile.
ESPN analyst and hall-of-fame player Charles Barkley calls the 6 ft 9 Thompson the best NBA player at his position—strong praise. Thompson’s team, the Golden State Warriors, apparently agrees, recently resigning their star shooting guard to a multi-year, $70 million contract. What was Thompson’s response at the post-signing press conference? “We were trying to get the contract signed, and all he wanted to do was go home to his dog,” mused Warrior general manager Bob Myers.
We know the joys firsthand of Cesar Chavez Park OLA, it’s where the idea for The Bark was born. In fact, the 17-acre OLA overlooking the San Francisco Bay was founded by Bark co-founder Claudia Kawczynska in 2000. One of the founding dogs was Claudia’s dog Nellie … named after former Warrior coach Don Nelson. A bit of history we think Klay Thompson would appreciate.
November 4 2014
The yearly Humane Award Winners presented by the ASPCA® is a way to bring attention and notoriety to a handful of deserving individuals—outstanding people and animals who have demonstrated extraordinary commitment to animal welfare. These individuals act as role models and sources of inspiration for the humane community and the world at large. The 2014 awards were just announced, and include two heroes that we are well familiar with … Jonny Justice has been named ASPCA Dog of the Year, and Lori Weise, co-founder of Downtown Dog Rescue (Los Angeles) was awarded the prestigious ASPCA Henry Bergh Award. We’ve covered both Jonny and Lori in lengthy features in The Bark, and congratulate them on this special, well-deserved honor.
ASPCA Dog of the Year
Jonny Justice was one of 49 dogs rescued from unimaginable cruelty as part of the 2007 Bad Newz Kennels dog fighting investigation, which resulted in the conviction of NFL quarterback Michael Vick and others. The ASPCA played a central role in the investigation, assisting with the recovery and analysis of forensic evidence from Vick’s property, and leading a team of certified applied animal behaviorists to evaluate the rescued dogs. A black and white pit bull, who had little or no positive interactions with people or other dogs, Jonny was given a second chance when he was adopted by his foster parents, Cris Cohen and Jennifer Long. As Jonny adjusted to life as a typical pet, it became clear that he loved interacting with children. In 2008 he found his true calling as a therapy dog, and these days spends much of his time offering love and support to terminally ill children receiving medical treatment (and their families). Jonny is also a champion for literacy, and has participated in programs, where children practice their language skills by reading aloud to him. The tale of Jonny’s inspirational comeback from the horrors of dog fighting to work as a therapy dog has traveled far and wide, even inspiring a line of plush toys that extend his ability to touch children across the country.
ASPCA® Henry Bergh Award
During her daily commute eighteen years ago to a furniture factory on the edge of Skid Row in Los Angeles, Lori Weise routinely saw stray dogs suffering from terrible abuse and horrific neglect. Inspired to act, Lori and her coworkers created Downtown Dog Rescue in the back of her furniture factory to rescue animals from dangerous situations and care for them. For many animals, it was the first time they ever experienced compassion. Known as “The Pit Bull Lady,” Lori has evolved Downtown Dog Rescue into a large volunteer-based animal charity that rescues dogs and assists underserved communities in South East Los Angeles, Watts and Compton. Lori and Downtown Dog Rescue created the South L.A. Shelter Intervention Program in 2013, providing pet owners resources to keep their pets rather than relinquish them to the South L.A. Animal Shelter. Downtown Dog Rescue now has its own kennel with room for 35 dogs, and has provided free spay/neuter surgeries for more than 10,000 dogs in the Los Angeles area. Lori has also helped almost 13,000 dogs and cats stay in their homes and avoid being placed in shelters. Lori’s selfless and nonjudgmental philosophy continues to break down obstacles and change the landscape for animal welfare in these Los Angeles communities.
For our original story click here.
October 20 2014
Today’s inbox brings us a special bit of eye-candy (also known as publicity pitches) that we think is worth sharing. It’s a video featuring NFL quarterback Tom Brady playing fetch with his dog Lua. This short contemplation on hard work, success and man’s best friend is a promotion for UGG, the Australian shoemaker who employs Brady as their official pitchman. We don’t know if it will make people run out and buy their shoes, but maybe a few will be inspired to adopt a Pit or Pit-mix ... like Tom.
Selling dog food with panache
September 18 2014
Dog Food for Thought: Pet Food Label Art, Wit & Wisdom (Insight Editions) showcases the colorful, bold packaging from the golden age of advertising— think Mad Men meets Lassie. This book by Warren Dotz and Masud Husain is a reminder that dogs are firmly embedded in pop culture imagery. We asked Dotz to expand on the topic.
The period from the early 1950s through the late ’70s was not only the apex of independently owned pet food companies and supermarkets; it was also a time when the creative flourish of modern aesthetics was incorporated into label design. And so, many of the pet food labels showcased in our book are among the best and boldest that commercial advertising of the time had to offer.
I love the bold logotypes, interesting fonts and old-school names. It was a time you might call your dog Rover or King, Lucky or Bingo. The names and illustrations have some wit and humor, too. Most importantly, I think they capture visually all the things we love about “man’s best friend.”
Things changed in the ’80s. As large corporations consolidated the pet food industry [Ed. note: and regulatory oversight increased], labels became more serious and downright boring. Basically, the fun illustrations were replaced by generic photographs of dogs. Many labels I found didn’t even bother to have a picture of a dog at all. Just a brand name. Our book has the originals in their “before-there-were-any-focusgroups” glory and naiveté.
Bark’s conversation with Warren Dotz continues …
What visual styling and cultural and historical influences characterize these dog food labels?
The first goal of any label is to catch the customer’s eye and a dog label is no different. The genesis of pet food labels really goes back to the orchards and farmlands of California. Fruits and vegetables were originally shipped in wooden crates and colorful lithographic labels were affixed to the ends of each crate to identify its contents and place of origin. As the produce market grew larger each season, immense competition at the local level took place. Since fruits and vegetables look alike from crate to crate—and the same could be said about dog food from can to can—illustrated labels were used to differentiate one brand from the next. The label art proved so successful that they appeared on canned legumes and sardines and even boxes of cigars.
In the 1950's however, almost overnight, the development of pre-printed cardboard boxes caused wooden crates with paper labels to be a thing of the past. Unused stocks of produce labels that remained undiscovered for years in old print shops and barns across the country eventually were collected by historians, collectors, and art lovers but the emphasis was on produce, not pets. The illustrators in print shops however had turned their eye to pet food and it was a growth industry. Our book is the first about dog food art.
Your book focuses on dog food labels of the 1950s, '60s and '70s. Did things change?
In the 1950’s, although some pet food brands continued the traditional fruit crate label style—often depicting real-life dogs—other illustrators began to be influenced by modern cartoons, comic books, Walt Disney and television. In particular, Saturday morning, cartoon television and the cereal box brands (and commercials) that sponsored them. Still present were the bold logo types but now there were illustrations of more modern-style, comic-strip dogs, mutts and puppies. These Kid-Vid and Mad Men era styled labels were some of our favorites and the book is filled with many of these.
What was the business and economic landscape like to produce so many different dog food products—what does that abundance say about America at that time?
Most meat-based canned dog food had a significant share of the market until a shortage of tin during World War II meant no more canned foods for dogs at that time. Dry kibble filled the breech. Canned dog food returned after the war along with the GI bill. That allowed unprecedented numbers of Americans to buy homes, furthering the economic boom. The move to the suburbs also replaced the corner grocery store with supermarkets teaming with processed foods. This massive increase in consumer demand resulted in vast quantities of agricultural scraps from slaughterhouses, grain mills, and processing plants. Meat and poultry companies saw the opportunity to use their animal by-products in a marketable way. Rather than waste these scraps on fertilizer, many new commercial pet food companies were formed with this unlimited countrywide opportunity. By the 1970s, there were more than 1,500 pet foods on the market with varieties of liver, beef, and chicken flavors.
During that same time, a major pet food company discovered a method for taking a hot liquid “soup” of meat, fat, and grain scraps and injecting them through another heat process that "popped" the fluid into light, kibbled dry food of any shape—just like kids cereal. These new types of kibble “chow” were sold in colorful boxes and bags and they too became part of our collection of advertising art.
Are there naming conventions or marketing terms that were popularized during the period?
Most food was either considered “moist canned” or “dry kibbled.” Gaines-Burgers, a brand of dog food introduced a hybrid category in 1961. The product consisted of individually wrapped patties of moisturized dog food which resembled a hamburger. Unlike hamburgers, the Gaines-Burgers could be stored at room temperature for long periods of time and not be canned. Interestingly, many of the product labels in the books point out that the cats would love the dog food too. That is not going to fly these days with the feline crowd.
Have any interesting anecdotes regarding tracking down these labels or good stories about these old dog food companies?
Well, I like to collect beautiful paper label art whether it be Indian matchboxes, packs of Chinese firecrackers or Mad Men era food products. I’ve written books about them all, in fact.
But by far—of all my collections—this collection of pet food label art was the most difficult to assemble. So my idea for this book sat dormant for a decade. Who would have thought to save them? Now and then a fruit crate label dealer would come upon a pet food label for me. Then one day I discovered and won a huge estate auction of labels, saved not by a collector, but a pet food executive from the Midwest. He actually wrote notes on the back of some labels regarding their product’s aroma and appearance. I guess one person’s corporate espionage became my treasure and the starting point and subsequently the backbone of the book. Even with all those labels I still needed to find more of the very best on Ebay and through ephemera dealers. When someone found a great vintage can of dog food in the back of an old kitchen cabinet or run-down garage, I was there—figuratively knocking on their door so-to-speak—to not only save the can’s label from the scrap heap but also to present it in its true graphic beauty.
Any pitfalls in writing a book about retro imagery in a modern digital world?
Masud, my co-author who is the graphic designer of this book, is a master of freshening the label imagery digitally so they look like the day they first appeared on the supermarket shelf. He is also an award-winning branding specialist so he knows his way around vintage label art and contemporary graphics. Although the images are “retro” we design our books in a modern style. Besides pet lovers, we also expect our books to be embraced by illustrators and graphic designers who find inspiration in the images. One illustrator recently wrote online that he is the artist for a video game and used our book to spark his creativity in producing faux 60s product art.
What about the fun quotations in the book?
It took three years to find the label art but adding the quotations, proverbs, and witty remarks took just as long. It is one of the most endearing parts of the book that ties everything together. People—especially famous people like comedians or literary figures—love their pets and have a lot to say about them. From Albert Einstein to Rodney Dangerfield, there were literally hundreds of quotations to discover and choose from. I wanted modern contemporary quotes from the famous and not-so-famous. Funny, insightful quotes and just interesting statements. All working seamlessly with the illustration art. All to capture the spirit, varied personalities and beautiful idiosyncrasies of our dogs.
Do you have a favorite quotation?
My favorite is from George Carlin that I used to describe a label depicting a bunch of breeds all gazing out at you, all in a row: “Life is a series of dogs.”
Volunteering can make a difference
June 30 2014
We often hear from people who are volunteering their time and talents helping animals. So many people are moved to action in the groundswell to help neglected and abused dogs—fostering rescues, transporting animals, quilting blankets, fundraising—the list goes on. It takes a village to meet the unfortunate demand, and too often, even that’s not enough. But it’s exciting when we’re contacted by somebody who has transformed their passion into action. A photographer named Brian Moss reached out to us recently, sharing some photos he took of dogs at a nearby animal shelter. The images are quite extraordinary. Brian has adopted strays, and is a longtime advocate for animal rescue. But in his words he “wasn’t walking the walk.” He’s part of a growing trend of professional photographers volunteering their considerable skills to shelters—capturing the heart and soul of adoptable animals for the world to see. These portraits can be lifesavers ... for the animals, and, in many ways, for the people who take them. See Brian’s photographs.
Blanton Museum of Art collects more than 160 works
June 25 2014
A rich and ambitious exploration of our ancient relationships with dogs and cats, a new exhibit at the Blanton Museum of Art collects more than 160 works by some of art’s landmark names— among them, Dürer, Fragonard, Blake, Goya, Gauguin, Hiroaki, Picasso, Cartier-Bresson, Hopper, Bourgeois and Wegman. “In the Company of Cats and Dogs” explores its subject across 33 centuries, drawing on insights from both science and the humanities to plumb the depths of this complex partnership.
Blanton Museum of Art
Q&A with the hit television show’s “girl-next-door”
June 23 2014
With its devoted cult following—including many devoted dog lovers—in tow, Wilfred will begin its final season on Wednesday, June 25 at 10 pm on its new home FXX. Exploring the surprising intersections of existentialism and dog culture, this dark comedy features Elijah Wood as Ryan, a miserable and apathetic ex-lawyer who maneuvers through life with the help of Wilfred (Jason Gann), a dog he sees as a brazen, cantankerous stoner in a grungy dog suit.
For the mutt’s owner Jenna, played wonderfully by Fiona Gubelmann, Wilfred is merely a playful canine. As the cheerful neighbor to Ryan, Gubelmann’s character has swung from sunny to dark over the first three seasons. In addition to focusing on Ryan’s mental panic, Wilfred also depicts Jenna grappling with her own difficulties. Fiona Gubelmann talked to The Bark about Jenna’s evolving storyline, her relationship with pets and her take on Wilfred’s philosophy.
The Bark: Do you have a dog, or did you have one growing up?
Fiona Gubelmann: My family sadly lost one of our dogs this year, but until recently we had two dogs. I personally don’t have a dog now at the moment, but I have three cats. I would love a dog and my husband wants to get foster dogs, but we aren’t home enough to do that now. I don’t have a neighbor to watch my dog!
Is your relationship with Wilfred much like the relationship a pet owner has with their pet?
Yes, definitely. When I first saw the script, I imagined Wilfred as my cat Dragon, a large Maine Coon. Dragon is gray, loving and yet quite moody—much like Wilfred. When I auditioned, I just thought, “How do I talk to Dragon?”
I imagine the set is a crazy one to work on with all the talent and wicked humor. Is it hard to keep a straight face?
Sometimes! We keep the tone of the show truthful and dark, so that helps us stay grounded. However, there are times when we have a couple of takes in the bag, and then they’ll say, “Jason, just be silly and go for it.” He’ll do just that, making it rather hard to keep a straight face. Jenna doesn’t see Wilfred as Ryan sees him, so I usually just wait until I watch the episode. Otherwise, I’d be laughing too much on set!
We’re fans of each character, but Jenna has especially evolved. Women are often written as comic foils for men, but Jenna is much more than that. Do you agree?
Jenna was initially an effervescent “girl next door.” A lot of shows may have kept her there, but we actually gave her a storyline that’s quite dark and almost tragic. We see her first as optimistic with everything going for her. But over the first three seasons, you see everything in her life fall apart. I get to have a range of emotions and explore different things. I’m very thankful for the opportunity.
Your work for Funny or Die is hilarious! Do you have any comedic heroes who you look up to?
For women, I definitely admire Sally Field, Goldie Hawn and Lucille Ball. They were always so committed to what they were doing. Soapdish is one of my favorite movies and I’ll never forget Goldie Hawn in Overboard — those performances are so funny and timeless. As for men, Bill Murray and Robin Williams have always been two of my favorites. I worked with Robin Williams in season two. That was one of my career high points.
Wilfred’s tone moves brilliantly between dark and light— how would you characterize the upcoming final season?
Although there is still humor in it, the last season has a more serious tone. They’re tying everything up and explaining why everything happened—who Wilfred is, delving into my relationship with Wilfred and answering all of the remaining questions.
Dog people are going to be your hardest critics, but we believe Wilfred has won them over. The show touches upon many corners of dog culture—agility, dog parks, phobias and other things only people who have dogs really know well. Have you noticed the world of dogs more since you started playing Jenna?
We call those dogisms—they’re fun for fans to relate to. I have many fans who are dog owners, who work in dog rescue or who are involved with dogs in some other capacity. They tweet me pictures of dogs and tell me dog-related stories. It’s so cool to see how they relate their relationships with their dogs to the show.
Wilfred has such strong views of the world that he constantly imparts to Ryan. How would you summarize Wilfred’s philosophy on life?
There’s one episode in which Wilfred says “Carne diem” instead of “Carpe diem.” He truly does want Ryan to live in the moment instead of living in fear. He’s pushing him to action. That would be Wilfred’s philosophy—to seize the day.
Also a special thanks to Sophie Cox who contributed to this interview.
Interview with the venerable New Yorker cartoonist
June 20 2014
Charles Barsotti has been staff cartoonist at The New Yorker since 1970, and for more than three decades, has been entertaining us with his distinctive rounded pups (one of whom
he’s dubbed Buster). Rendered in deceptively simple lines, his cartoon dogs engage in utterly human tasks, and their fans are legion—one of them, Peanuts creator Charles M. Schulz, told him in a letter that he hoped someone would collect all of Barsotti’s “little dog cartoons” in a book one day. And now, with the release of They Moved My Bowl, they have. We were pleased that Mr. Barsotti agreed to be interviewed—like his cartoon punch lines, his answers to our questions were short, witty and to the point.
Bark: What makes a good dog cartoon?
B: What is it about dogs going about human tasks that’s so funny?
B: We see that you dedicated your new book, They Moved My Bowl, to the memory of Jiggs, “the world’s greatest dog.” Can you tell us about Jiggs?
B: Tell us about your two dogs, Chloe and Buster.
B: Can you talk about your drawing style? It’s so simple but perfect.
B: Your cartoons are sweet and smart but never syrupy or corny—no mean feat when it comes to dog cartoons. How do you manage that?
B: Tell us about your idea of dog heaven.
See Charles Barsotti's obit published on June 20, 2014
June 20 2014
Charles Barsotti, a cartoonist whose drawings were a staple of The New Yorker magazine for decades, died on June 16 at the age of 80. While his name may not be familiar to some, most readers will recognize his cartoons—simply drawn with uncommon wit—nearly fourteen hundred of them appeared in that magazine over the years. Many featured his trademark round-nosed dogs—lying on a psychiatrist couch, gathered around conference tables, appearing before judges in court. One shows a dog dressed in standard issue spy garb confessing “They rubbed my tummy, chief—I told them everything.” Barsotti’s cartoons were poignant and sweet, delivering a good deal more than laughs. The best had a short story quality about them.
The Bark interviewed Barsotti in 2007 upon the publication of a collection of his dog cartoons entitled, They Moved My Bowl, the conversation, like his art, was spare and humorous. We asked him about the book’s dedication “to the memory of Jiggs, the world’s greatest dog.” The cartoonist replied, “Any kid who doesn’t think his dog is the world’s greatest dog is weird. Jiggs was part Dachshund, part mystery meatloaf. Jiggs was run over and killed when I was 10. In my book, there’s a cartoon with St. Peter and a dog named Rex who is a stand-in for Jiggs.” It dawned on us that one of our favorite Barsotti cartoons was autobiographical. We ended our interview by asking him his idea of dog heaven … he replied “I’ll ask Jiggs when I get there and send word back.”
Read the full interview here.
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