Susan Tasaki is a The Bark contributing editor.
Published by CreateSpace
October 14 2013
All that Ails You is narrated by Wrigley, a most attentive caregiver: emotionally attuned, good-natured, resilient—just what’s needed in an assisted-living facility. Sure, he’s a dog, but that’s a plus in an environment where it’s sometimes hard to remember that life was once joyful. As All that Ails You makes clear, dog power can be a perfect antidote to illness and loss.
Classic portrait of Charging Thunder and his dog.
October 11 2013
Before becoming one of the most influential American photographers of the 20th century, Gertrude Käsebier (1852–1934) was a wife and mother, experiences that informed her hallmark studies of women and their children. She also had an independent streak. At 37, an age by which most women of her day had settled into domesticity, Käsebier enrolled in painting and drawing classes at the Pratt Institute, then switched to photography and made it her career.
Käsebier later opened a portrait studio on New York City’s Fifth Avenue and, in April 1898, watched as Buffalo Bill’s Wild West troupe paraded past it on their way to Madison Square Garden. Among the performers was a contingent of Lakota Sioux. Inspired by the respect she had for the Sioux people of her Colorado youth, she asked William “Buffalo Bill” Cody for permission to make studio portraits of those traveling with the show, and Cody agreed.
Käsebier’s photographs—some of her portfolio’s most introspective and highly regarded—focus on the Native performers as individuals rather than cultural objects. Charging Thunder and his dog (shown here) were among her subjects. A few years after Käsebier took his photo, Charging Thunder went to England as part of Cody’s Wild West show and remained there after the show returned to the U.S. He died in 1929.
Published by St. Martins
October 11 2013
Best known for his “Andy Carpenter” mystery series, Rosenfelt recounts a real-life adventure in this book, something those of us who fret over preparing for a weekend in the country with our dog will find truly daunting: moving 25 dogs across country, from California to Maine, in a caravan of RVs. With typical self-deprecating humor, Rosenfelt not only journals the move, he also shares how he and his wife got involved in rescue work, and the stories of some of the dogs they saved.
See our interview with author David Rosenfelt.
Published by Gallery Books/S&S
October 4 2013
Suffering from canine deficit disorder, Sharron Luttrell signed up to be a NEADS/ Prison Pup Partnership co-caretaker, the person who familiarizes an assistance-dog-in-training with daily life on the “outside.” In doing so, she learns to let go and to plumb the depths of her own compassion for the benefit of others.
Published by William Morrow
October 3 2013
We review Tom Ryan's Following Atticus. Start with New Hampshire’s White Mountains, add a small dog and an overweight and out-of-shape reporter on a mission, and what do you get? A truly uplifting account of the adventure of a lifetime and a partnership built on mutual trust. A book of “life, growth and redemption.”
Published by Michigan State U Press
October 1 2013
In Short Leash: A Memoir of Dog Walking and Deliverance, Pema Chodron has said that the best way to deal with fear is to lean into it, diffusing its effect by letting it inform you and staying present. Suffering the aftereffects of traumatizing attacks, Gary and her dog Barney leaned into their fears and in doing so, freed themselves from them. An inspiring and uncompromisingly honest story.
Published by Henry Holt
September 30 2013
Before there were dog “love” stories, there was the irresistible The Cat Who Went to Paris. Peter Gethers is back with a charming novel about Bob, the type of vet we’d all love to have. There is also a cast of lovable and amusing characters, including a romantic interest who was a little too unyielding for my liking. The animals, both patients and those who are part of Bob’s family, are well drawn, and observations such as “Pet weight is one of the most delicious feelings in the whole world … it is like an extraordinary security blanket,” make Ask Bob a gem of a book.
Wellness: Healthy Living
We talk to groomer extraordinaire Robyn Michaels
July 26 2013
It seems so simple. A few passes with a brush, an occasional suds-up in the tub or back yard, and there you have it: a well-groomed dog. If only. But help is here. We asked professional groomer Robyn Michaels for insights into keeping our dogs looking and smelling good with a minimal amount of fuss — and without the kind of mishaps that lead to a starring role on America’s Funniest Home Videos!
Q: What’s the best way to help a dog enjoy being brushed?
A grooming table makes all the difference. The floor is the dog’s territory. Being even a foot off the floor puts your dog in a different dimension and a different place psychologically. You can buy a used portable dog-grooming table or make your own; in either event, be sure the table is absolutely steady. Fear of falling affects dogs even more than physical pain.
Without a table, grooming is often a two-person job: one person to hold the dog still and the other person to brush. The person holding should have the dog on a very short leash and keep one hand on the dog’s withers (shoulders). The dog will not be as apt to struggle if he’s not being strong-armed and wrestled with.
This is where I make my pitch for doing basic obedience exercises, which helps your dog understand that you really are in charge, really are a leader and won’t hurt him.
Q: No matter how often we brush our dogs, they still don’t look well groomed, and dog-hair tumbleweeds are still rolling across the floor. Why?
Q: What kind of brush should we be using?
Rakes come with various numbers of teeth in a row. You will have to experiment, but to begin with, I suggest that you get one with the widest separation/ fewest teeth. The blades on the underside of the curved teeth act like seam rippers. It is almost impossible to cut your dog with this type of rake, and you will pull out a lot of hair that a slicker brush won’t get. A metal comb is also handy to have, to tease out mats, get into small areas (under armpits, behind and under ears, between toes) and clean the brush.
Q: What’s the best way to brush? And how often should we do it?
Matting starts in a dog’s moving parts: around the tail, behind the ears, in the armpits, and on the hocks and pasterns (ankles), and spreads from there. Also, if your dog has a double coat (long guard hairs and a shorter, softer undercoat), you need to get down to the skin to remove that loose undercoat hair. As to how often: you may have to do this every other day if your dog has a dry, cottony coat (like a Coton de Tulear), but, for most dogs, if you brush too often, you will cause more static, which will cause more matting and also affect the coat’s shed cycle.
I recommend brushing at least the mat-prone areas every week, and a long-haired, double-coated dog usually needs to be brushed more often when he’s actively “blowing coat” — the big twice-a-year seasonal shed.
One more thing: dressing up your dog may be fun, but if you have a single-coated dog, every time you take off his coat or sweater, you create static and cause matting.
Q: Speaking of matting — a friend’s Golden Retriever had lots of mats and tangles, so she shaved him. Is this a good idea?
Q: How about bathing — what do we need to get our dogs clean?
There are many kinds of dog shampoo, so you should be able to find one that works well for your particular dog’s coat, but know this: suds do not clean the dog. The shampoo’s active ingredients agitated against your dog’s hair are what do the cleaning. If your dog’s skin is irritated by a shampoo, it’s usually sodium laureth sulfate (or chloride, the sudsing agent) that’s causing the problem; a few manufacturers make sodium-free shampoo.
Another thing to keep in mind is that if you don’t dilute the shampoo, you’ll never get it completely rinsed out. The industry-average dilution rate is 16 to one, but you can just eyeball it.
Dispense the diluted shampoo using an old dishwashing liquid or shampoo bottle. You want just enough suds to tell you when you’ve covered the whole dog. If you want to really get the dog clean, brush the shampoo through his coat. This covers every hair, gets out some of the smaller tangles you might have missed and removes the loose stuff. After the dog’s dry, brush him again, and then float a comb through his coat to finish up and clear out any remaining tangles (don’t forget: armpits, behind the ears, under the chin, and around the tail and ankles).
People often ask about conditioners. I rarely use them. A conditioner works by coating the dog’s hair with a humectant, which attracts moisture. This can be helpful for long-haired dogs in the winter, to counter static, but conditioner is difficult to rinse out, often leaves a film on the dog’s hair, will attract dirt and may even cause matting. I suggest avoiding conditioners unless you are using them for a specific reason.
Q. Finally, a little background. How did you get started, and what do you see as the most common grooming challenge?
It surprises me that people acquire dogs and don’t give grooming a second thought until the dog smells bad or is shedding to the point that it affects their quality of life. Why does this happen? It happens because a lot of people who work in the pet industry have more contact and credibility with customers than hobbyists and fanciers do. On the other hand, when it comes to the rare breeds, pet owners often return to the breeder to have their dogs groomed rather than take them to a school- or shop-trained groomer, who may not know the breed. If a person adopts from an animal shelter, the employees or volunteers are unlikely to know anything about grooming, and will probably not even mention it. All in all, it’s important that when you select a dog, you understand what his grooming needs are so you can address them rather than ignore them until the dog’s uncomfortable and you’re frustrated.
June 21 2013
Find a soul mate is never easy, but Brooklyn based Sarah Oren Brasky, aka the “Dog Matchmaker,” is an expert at improving the odds. Brasky’s passion for dogs began in childhood and has continued into her adult life, where, in addition to her work with dogs—she also founded and edits the rescue blog Foster Dogs NYC —she teaches elementary school.
Motivated by the conviction that adopting dogs rather than purchasing them from breeders or pet stores saves many innocent lives, Brasky has made it her mission to help people connect with compatible canine counterparts. Using a questionnaire to establish the type of dog an individual has in mind as well as the conditions under which the two will cohabit, she then casts a wide net, searching her contacts for the best possible pairing. Thanks to Brasky, Harry, Biscuit, Shiloh, Kain, Koko and many others now have homes and people who love them. Dog rescue is in her bones, she says, and in providing this service, the matchmaker herself is perfectly matched.
Dog's Life: Lifestyle
Paintings meet furniture
March 11 2013
In the hands of Leslie Oschmann, everything old really does become new again. Oschmann is the creative force behind Swarm, an eclectic collection of useful objects crafted from vintage oil paintings that she tracks down in antique shops and flea markets across Europe.
When Oschmann, a former visual director at Anthropologie, moved from the U.S. to the Netherlands and set up a studio in Amsterdam, she satisfied two lifelong desires: to give new life to beautiful objects and to acquire a dog. McDuff, a Wire Fox Terrier, is her constant companion, accompanying her on buying excursions and keeping an eye on her progress in the studio. And, since Amsterdam is such a dog-friendly place, he also goes with her to stores and cafés, often riding in her bicycle basket.
Oschmann has a gift for imaginative juxtapositions of subject, color and texture (linen on wood, stitching on canvas) that give the forgotten paintings new lives as handbags, shoulder bags, totes and even art-covered furniture. But it’s not all flowers and landscapes.
In her wanderings, Oschmann occasionally comes across paintings of dogs … not many and not often, but enough to pique her interest. An avowed “dog nut,” she now deliberately looks for dog-themed paintings, and the fact that they’re harder to find makes them even more special to her. In addition to using these paintings on individual items, she also arranges them in collage-like ways, sometimes including a piece’s unfinished edges, fringe or corners, then has the assemblage reproduced on sturdy canvas fabric, from which she makes pillow and, of course, dog-bed covers.
Each Swarm piece, a deconstructed/reconstructed work of art, incorporates subtle visual surprises, evidence of Oschmann’s artistic inventiveness. As a bonus, they’ve all been approved by McDuff.
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