Dog's Life: Lifestyle
The charm of dogs in daily life
I love few things more than seeing a dog lying on a rug in front of the fire. This is due in part, perhaps, to my perspective as a canine behaviorist. While most people simply see a dog relaxing on a rug, I see a dog who is resting on the rug rather than chewing on it. That automatically puts the scene on my “things of beauty” list.
Apart from my own issues with, well, canine issues, most dog lovers find the scene appealing as well. It ranks right up there with a dog physically preventing a toddler from going in the street, playing happily with a group of children or comforting a grieving person of any age by gently resting the head in that person’s lap. Any time people and dogs are spending time together as companions, I’m likely to observe the scene and find it endearing.
There is no end to the situations in which I find charm as well as joy in the actions or poses of dogs. I suppose I have been influenced by the work of Norman Rockwell, whose art captures the appeal of American life, including dogs, better than anyone ever has. Rockwell was well known for including dogs in his paintings and understanding the happiness people felt when seeing images of all kinds of dogs portrayed as a part of daily life.
His work is so well known that to describe something as a “Norman Rockwell moment” is instantly understandable to most people as a situation (often in a small town) that provides suitable material for one of his paintings. What’s your favorite “Norman Rockwell moment” with your own dog?
Ruth Silverman is a treasure. She combines a curator’s eye for fine photography with a lifelong passion for dogs. It has resulted in two seminal books The Dog: 100 Years of Classic Photography and The Dog Observed, numerous photo exhibits and a personal collection that rivals many museums. The Bark crossed paths with Ruth many years ago, and she has been an invaluable advisor to our efforts on many fronts, introducing us to a host of great photographers and art of all kinds that have graced our pages. Ruth is one of those people who seem to know everyone, after having been a curator for the International Center of Photography in New York, as well as a successful photojournalist. She takes delight in connecting creative parties, be it in art, writing or publishing—Ruth is a cultural matchmaker.
Visiting Ruth in her home in Berkeley is like a trip to gallery row. Every wall, shelf and corner is filled with fine prints, paintings and photographs … a framed André Kertész, a William Wegman Polaroid, a classic Nicholas Nixon. We were excited to hear that Ruth has donated a good portion of her collection to raise money to help the dogs she so dearly loves. Friends have organized a month-long online auction to benefit both the SPCA’s “Take Your Best Shot” program, which increases the adoption rate in high‐kill, low-income shelters by presenting quality, attractive portraits of available pets to potential adopters, and the HSUS’ “Pets for Life” program, which addresses the need for spay and neuter services in underserved communities.
The appropriately named “Good Dog Art Exhibition and Silent Auction” can be viewed online at http://tinyurl.com/GoodDogArt through February 26, 2015. It’s a wonderful opportunity to acquire first-rate photography and art while helping animals in need and the programs that serve them. And if you happen to be in the Bay Area this month, you can view the art in person at two venues—Wag Hotels and San Francisco SPCA. A special Good Dog Art Party is being held at Wag Hotels on the closing night of the auction, February 26. Tickets can be purchased at the URL above. We hope you’ll expand your art collection and help the dogs!
News: Guest Posts
John Dolan and his dog George
Coming home a little earlier from nights out; waking up with the sun to get in that daily walk; adding a new vacuum to the top of your birthday wish list—things have a tendency to change when you bring a dog into your life. London based artist, John Dolan, was no exception to this rule. We recently read about Dolan and his dog, George, in an interview published by the Guardian earlier this month, and we were instantly enamored with the duo.
Dolan, struggled with poverty, addiction and homelessness for most of his adult life, then, one day in 2009, a young homeless couple, about to move into an apartment, gave him George. And then things began to happen...
The Guardian writes:
Dolan was terrified to be entrusted with George, his first ever responsibility. "How was I going to cope with him? I couldn't even cope with myself," he says. But he'd loved the family dog, Butch, as a boy, and he noticed how George always looked him in the eye when he talked. They bonded and Dolan had a stark realisation: if he went to prison again, he would lose George. So he gave up crime. "It was only because I had the animal and he's a responsibility," he says, stroking George. "He's like my child in a sense and I feel obliged to keep a roof over his head and keep him warm."
In 2009, in an attempt to make an honest living, John turned to selling sketches of George to passers-by on the street for about $30 each. A few years later, his drawings were published in Shoreditch Unbound, a limited edition book showcasing East London's creative culture. After that, commissions started rolling in, including a request from gallery director, Richard Howard-Griffin. This is when his fledgling career as a working artist took off.
John now has a solo show under his belt (which happened to be a sell-out) and another just opened; he has collaborated with many high-profile street artists, including ROA, Stik and Tierry Noir; he has written a book about his life with George (an experience he likened to therapy), and, later this year, he'll cross the pond for a third solo show in Los Angeles.
While John's life has seen a dramatic turn-around in the past few years, there is one thing that remains constant—George, the staffy-bull who saved him.
Again, from the Guardian:
"I feel like he's a guardian angel. If it hadn't been for him I'd have never picked up my pen," he says, stroking his companion.
Click HERE to see more of John Dolan's work. Keep up with John and George on Facebook.
Blanton Museum of Art collects more than 160 works
A rich and ambitious exploration of our ancient relationships with dogs and cats, a new exhibit at the Blanton Museum of Art collects more than 160 works by some of art’s landmark names— among them, Dürer, Fragonard, Blake, Goya, Gauguin, Hiroaki, Picasso, Cartier-Bresson, Hopper, Bourgeois and Wegman. “In the Company of Cats and Dogs” explores its subject across 33 centuries, drawing on insights from both science and the humanities to plumb the depths of this complex partnership.
Blanton Museum of Art
Interview with the venerable New Yorker cartoonist
Charles Barsotti has been staff cartoonist at The New Yorker since 1970, and for more than three decades, has been entertaining us with his distinctive rounded pups (one of whom
he’s dubbed Buster). Rendered in deceptively simple lines, his cartoon dogs engage in utterly human tasks, and their fans are legion—one of them, Peanuts creator Charles M. Schulz, told him in a letter that he hoped someone would collect all of Barsotti’s “little dog cartoons” in a book one day. And now, with the release of They Moved My Bowl, they have. We were pleased that Mr. Barsotti agreed to be interviewed—like his cartoon punch lines, his answers to our questions were short, witty and to the point.
Bark: What makes a good dog cartoon?
B: What is it about dogs going about human tasks that’s so funny?
B: We see that you dedicated your new book, They Moved My Bowl, to the memory of Jiggs, “the world’s greatest dog.” Can you tell us about Jiggs?
B: Tell us about your two dogs, Chloe and Buster.
B: Can you talk about your drawing style? It’s so simple but perfect.
B: Your cartoons are sweet and smart but never syrupy or corny—no mean feat when it comes to dog cartoons. How do you manage that?
B: Tell us about your idea of dog heaven.
See Charles Barsotti's obit published on June 20, 2014
Charles Barsotti, a cartoonist whose drawings were a staple of The New Yorker magazine for decades, died on June 16 at the age of 80. While his name may not be familiar to some, most readers will recognize his cartoons—simply drawn with uncommon wit—nearly fourteen hundred of them appeared in that magazine over the years. Many featured his trademark round-nosed dogs—lying on a psychiatrist couch, gathered around conference tables, appearing before judges in court. One shows a dog dressed in standard issue spy garb confessing “They rubbed my tummy, chief—I told them everything.” Barsotti’s cartoons were poignant and sweet, delivering a good deal more than laughs. The best had a short story quality about them.
The Bark interviewed Barsotti in 2007 upon the publication of a collection of his dog cartoons entitled, They Moved My Bowl, the conversation, like his art, was spare and humorous. We asked him about the book’s dedication “to the memory of Jiggs, the world’s greatest dog.” The cartoonist replied, “Any kid who doesn’t think his dog is the world’s greatest dog is weird. Jiggs was part Dachshund, part mystery meatloaf. Jiggs was run over and killed when I was 10. In my book, there’s a cartoon with St. Peter and a dog named Rex who is a stand-in for Jiggs.” It dawned on us that one of our favorite Barsotti cartoons was autobiographical. We ended our interview by asking him his idea of dog heaven … he replied “I’ll ask Jiggs when I get there and send word back.”
Read the full interview here.
News: Guest Posts
As a young photographer working in San Francisco in 1994, I discovered that I absolutely loved photographing dogs. Around the same time I also discovered a very creative couple in Berkeley were starting up a dog magazine called The Bark. I shared some of my photographs with Claudia and Cameron, the editor and the publisher of The Bark, and told them that if they ever needed imagery for their magazine that they should call me. I also told them that I was interested in advertising my dog photography services in their new magazine. That was twenty years ago and they have been using my images and I have been advertising in their magazine pages ever since! My framed cover photographs for The Bark are some of my most treasured possessions from my career as a dog photographer.
Thousands of dogs and clients later, I have decided that I want to use my imagery in a new and unique way. In my mind the use of dog imagery on paper products is sorely lacking in creativity and beauty. My intention is to set a new standard for the quality of dog photography used on cards and gift items. I enlisted the help of my extremely talented sister, Melissa, who just happens to be a graphic designer, and using my vast database of twenty years of dog photography we have created The Dog Studio.
We are preparing to launch our card line this month with 48 greeting cards and 48 Dog Packs, sets of notecards featuring specific breeds, at the National Stationery Show in New York City.
We are also running a Kickstarter campaign to help the business get off the ground, and with just four days left we are at 75% of our goal! We have some great rewards for those who back The Dog Studio: portrait sessions, signed books & posters and of course lots of greeting cards. Check it out, it’s a fun Kickstarter campaign!
Our website: www.thedogstudio.com will be launched later this month as an ecommerce site but for now you can visit it and get more information about what we are doing. Keep an eye out for our new Dog Studio ad in The Bark coming soon...
— Amanda Jones, Bark contributor
For a 30-year period beginning just after World War I, Paul Howard Manship (1885–1966) was lauded as one of America’s premier sculptors. Born and raised in St. Paul, Minn., Manship looked to the classical past for both inspiration and subject matter while exploring the modernistic stylings of what would become Art Deco.
Manship’s sculpture entitled Indian Hunter and His Dog reflects his signature Archaic style, depicting an idealized youth running full stride, carrying arrows in his right hand and a bow in his left, accompanied by his dog. The figure’s pose, mask-like expression and act of leading with his left foot recall the Greek kouros (young male) figure, modeled with a streamlined modernity.
This miniature bronze was a study for a life-size sculpture commissioned by Thomas Cochran to be installed outdoors at Cochran Park in St. Paul, where it resides today. Currently, the miniature sculpture is included in The American West in Bronze, 1850–1925, an exhibition at the Metropolitan Museum of Art, through April 13, 2014. With 65 bronze sculptures by 28 artists, the exhibition explores the popularity of statuettes with Western themes. Artists represented include Manship, James Earle Fraser, Frederick William MacMonnies, Frederic Remington, Charles M. Russell and Charles Schreyvogel, among others.
For more information visit metmuseum.org.
British crafter Donya Coward’s beaded, lacey creations.
Ten years ago, Donya Coward was a recent graduate of the knitwear fashion design program at Nottingham Trent University (UK). On a lark, she made some brooches from odd scraps she had lying around. Next came a children’s story illustrated with fabric faces. But her craft and career path really soared when she started to make full-blown animal sculptures that she refers to as “textile taxidermy.”
These eco-friendly, three-dimensional works are constructed with layers of knit and crochet and completed by a fine “skin” of embroidery and beading. When describing her process, Coward emphasizes her use of “antique, vintage and up-cycled haberdashery, laces, fabrics and embroideries,” and adds that, for her, “it is important to preserve the craftsmanship and skills of days gone and give them a new identity.”
She certainly has made her mark with her intricate and lovely dog heads, banners and full-sized figures. She takes commissions, and all her work is done by hand—definitely well worth the wait they might require.
Frisky, my inspiration for Dog Humiliation, Humiliated Dog, was a former boyfriend’s childhood pet. When he was in junior high and high school, the boyfriend— Mike Marer, drummer for the punk band Bad Posture—enjoyed taking photographs and had assembled several albums’ worth featuring his dog. There was something endearing, mundane and fascinating about the number of pictures of Frisky he had taken—maybe because it was such a stark contrast to his onstage punk persona. I laid out his photos in a group of four and titled it “The Frisky Series.” When I showed it to him, he said, “All right … Frisky, man. Hey … wait a minute! You’re making fun of her!” It took a bit of explaining, but he understood finally that it was more tender than that. He adored that dog.
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