Culture: Stories & Lit
By the time George had come into my life, I had more than three hundred convictions to my name and had been in prison over thirty times.
You might be thinking that I couldn’t have been much of a thief to get caught so many times over the years, but the truth is I found it so hard to cope with life on the outside that I had started to effectively check myself in to prison for the winter. It got to the point where I wouldn’t even bother to cover my tracks while I was out burgling. I’d deliberately not wear gloves so I’d leave fingerprints, or I wouldn’t clean up after myself if I grazed my arm and started bleeding.
I knew what I was letting myself in for in jail, but at least inside I didn’t have to worry about having a roof over my head and feeding myself, which was sometimes too difficult to deal with on the streets.
It’s exhausting being homeless, shifting between day centres and hostels or missions, or sleeping in cars and bin sheds as I had to do after losing my flat in President House. Sometimes I was so desperate I felt like chucking a brick through a police station window and holding out my hands for the cuffs, just so I could get a bed for the night.
I was stuck in one such cycle the day George came into my life. He turned up after I’d been out of prison for about seven or eight months, and the cold winter of 2009 was really setting in. Under normal circumstances, I’d have been thinking about getting sloppy on the next job, so as to get myself a short stay inside that would tide me over until the weather warmed up.
As it was, George had his feet well and truly under the table by the time I got round to thinking about that, and that threw a bloody big spanner in the works. If I went to prison, I would lose George. It was as simple as that. We’d come too far for me to even consider that an option. For the first time in what seemed like an eternity, I had someone other than myself to care for, and it had filled my life with meaning.
Over the years, I had met a few girls and I’d had a few relationships here and there, but nothing that had lasted more than a couple of months at most. I’d seen how my brothers and sister were with their children and how much love they had for them; I was beginning to feel that way about George.
My feelings for him became crystal clear to me one day when we were sitting outside Fenchurch Street station and a well-to-do woman came up to us and started raving about George.
‘What a lovely dog!’ she said, scratching him on his head and generally making a big fuss of him. ‘He’s absolutely gorgeous! I’ve never see such a cute Staffie. I don’t suppose you would let me buy him off you?’
I was completely stunned and totally speechless. Who was she to ask that?
‘He’s absolutely fantastic,’ she continued. ‘I’d give you a really good price …’ She started to say she could pay £2,000 cash, but I stopped her in her tracks.
‘Look, no offence, miss, but have you got kids?’ I asked her.
‘Yes, but I know Staffies and I’m sure he’s good around children …’
‘No, forget that. What I’m saying is, how would you feel if I asked you if I could buy one of your kids?’
She looked at me in confusion.
‘You see the thing is, George is like my son. I love him like he’s my own flesh and blood. I wouldn’t sell him for two grand. I wouldn’t even sell him for a hundred grand. He’s too important to me.’
She was very gracious about having her offer turned down flat. There were no hard feelings and even George had a twinkle in his eye when the lady walked away.
Anyhow, that conversation had cemented what I already knew to be true; I was sticking with George come hell or high water. I just wasn’t sure how I was going to do it, not in those early months. George meant a hell of a lot more to me than anything else in the world. I loved him, and losing him was unthinkable.
When we sat together on the floor of my bedsit, I was remembering that woman and the crazy amount of money she’d offered for George. Two thousand pounds would have been mighty nice right then.
‘I should have sold you to that lady, George. Could have got myself a nice gold watch for that.’
George let out a sigh, lay down and put his head between his front paws. He looked quite sad, to tell the truth, and I felt bad.
‘Oi, listen, I was only joking. It ain’t your fault,’ I said. His ears pricked up.
‘Well I suppose it is, you daft git,’ I laughed, ‘but that’s a good thing, mate. Don’t you worry.’
I thought back over the time I’d had George. I had barely let him out of my sight since the day I took him on. I wouldn’t even leave him tied up outside Tesco if I needed a tin of dog food; I’d always ask a mate I trusted to keep an eye on him for a minute, and I’d dash in as quickly as I could.
To begin with I was terrified of the mad Scot showing up, and then after that lady tried to buy him, I was scared stiff of him being stolen.
Leaving George alone to go out thieving was completely out of the question. My gammy leg already made that difficult, because I wasn’t as nimble as I used to be. What if I got caught and was put in the cells overnight? Who would feed the dog and take him out? I knew full well I would lose George for good if I got locked up, because there was nobody I knew who would be able to look after him for me for any length of time.
‘That ain’t happening,’ I said out loud, thinking about being banged up again. ‘I need to get a job.’
George was sitting up attentively now and had one of those looks on his face that said ‘Silly bastard, how you gonna do that?’ but I wanted him to know what was on my mind. I suppose I was a silly bastard to think he might have understood, but he seemed to be listening to me.
I know I was also a very stupid bastard for being nearly forty and having no job prospects whatsoever. Who would take me on with a criminal record as long as mine? It read like a telephone directory. And, even if some poor bugger was mad enough to take a chance on me, how would I manage to hold down a job with George by my side? It was beyond me.
There was only one thing for it. I didn’t want to have to rely on begging forever, but I knew I had to carry on doing it in the short term at least, or the pair of us would starve. It was that simple.
‘Come on, George,’ I said. ‘Let’s go and take a little stroll down Shoreditch High Street.’
From George the Dog, John the Artist by John Dolan. Copyright © 2014 by John Dolan. Published in 2015 by The Overlook Press, Peter Mayer Publishers Inc. www.overlookpress.com. All rights reserved.
News: Guest Posts
National Portrait Gallery exhibit reminds us why we love her
A riveting photographic exhibition, Portraits of an Icon, recently opened at London’s National Portrait Gallery illustrates the life of actress and fashion maven Audrey Hepburn (1929-1993). This exhibit features photographs from Hepburn's early years in London as a dancer to her later years as an impassioned philanthropist. From the museum’s description:
“A selection of more than seventy images defines Hepburn’s iconography, including classic and rarely seen prints from photographers such as Richard Avedon, Cecil Beaton, Terry O’Neill, Norman Parkinson and Irving Penn. Alongside these, an array of vintage magazine covers, film stills, and extraordinary archival material complete her captivating story.”
Hepburn is revered for her performances in a string of films produced in ’50s and ’60s including: Gigi, Roman Holiday, Sabrina, Breakfast at Tiffany’s, Charade, My Fair Lady and Funny Face (my personal favorite). Along with her acting and humanitarian work with UNICEF, Hepburn was also an avid animal lover. Dogs were an important part of her family for much of her life. Her dog, Mr. Famous, is one of her best known companions. He traveled with the actress to film locations and photo shoots, and even had a cameo in 1957’s Funny Face. It was a common sight to see Hepburn and her beloved Yorkie bicycling around studio lots during breaks in filming.
The camera loved Hepburn’s natural beauty and inimitable style. The best images on display in Portraits of an Icon radiate an inner quality seldom captured on film. Like the subject herself, the portraits display a wide range, showing Hepburn as a young ballerina, Hollywood actress, fashion model, humanitarian. For those fortunate to attend the exhibit, they will find more reasons to fall in love with Audrey Hepburn (and her canine co-pilots).
Portraits of an Icon appears at the National Portrait Gallery in London through October 18, 2015. For more information visit www.npg.org.uk.
The play I was watching was just 10 minutes in when a black Labrador jumped up next to me and settled in for a nap. This was going to be no ordinary theater experience.
I was at JACK, a performing-arts space in Brooklyn, N.Y., to see Comfort Dogs: Live from the Pink House, the latest experimental play written and directed by William Burke. The Labrador, Gypsy, along with mixed-breed pups Bronco and Bluet, was part of the play’s canine cast.
Comfort Dogs explores the relationship between humans and canines, and our dependence on them, through music and spoken word. Burke was inspired to create the play after reading about therapy dogs visiting a local nursing home in the aftermath of Hurricane Sandy. It sparked his curiosity about the emotional responsibility we assign to dogs, and their willingness to stay by our side despite not understanding most of what we say or do.
Normally, when dogs are involved in theatrical productions, their roles are carefully scripted and their behaviors are thoroughly rehearsed. Burke wanted something that felt more natural and spontaneous for Comfort Dogs.
“I didn’t want trained dogs doing things because they had to. That’s not what we were trying to do,” Burke explained. “The idea was to create an environment where the dogs could do anything they wanted, and no one would tell them not to be a dog.”
The result was about an hour of organic interaction between human and canine actors that complemented the play’s monologues and songs. The people also acted like dogs, sniffing, howling and scratching, while the three canine stars were free to be themselves. The dogs’ unscripted roles also meant that each show was unique. It felt like canine improv.
Working with animals, especially in an unscripted setting, presents logistical challenges—among them, finding the ideal performance space. An early iteration that enclosed the dogs on stage, per the original theater’s requirements, took away from the show’s free spirit. The space at JACK allowed Comfort Dogs to unfold as Burke had originally envisioned, showcasing the dogs’ natural behavior.
The three canine actors, each a different breed, size and personality, complemented each other as well, although they were primarily chosen because they were familiar with all of the people on stage. Bronco is Burke’s dog; Gypsy is bass player Paul Ketchum’s pup; and Bluet, whom Burke rescued from a local park, now lives with a friend. The actors’ existing relationships with the dogs grew as they worked on the play together.
It will also come as no surprise to any dog lover that the human actors learned a lot from being on stage with their canine counterparts.
“When you’re an actor, you always talk about ‘being present’ on stage,” says Burke. “With the dogs, they’re present all the time. It was certainly exciting to see.”
Now that Comfort Dogs has closed, the director hopes to work on a longer piece that incorporates more dogs. One of his ideas is to partner with a local shelter so that audience members could adopt the canine actors, making the play even more immersive.
It was refreshing to see Comfort Dogs explore canine theater in this manner, and I look forward to Burke’s next work. Incorporating shelter pups would be an exciting way to give back to dogs, who give us so much.
Ruth Silverman is a treasure. She combines a curator’s eye for fine photography with a lifelong passion for dogs. It has resulted in two seminal books The Dog: 100 Years of Classic Photography and The Dog Observed, numerous photo exhibits and a personal collection that rivals many museums. The Bark crossed paths with Ruth many years ago, and she has been an invaluable advisor to our efforts on many fronts, introducing us to a host of great photographers and art of all kinds that have graced our pages. Ruth is one of those people who seem to know everyone, after having been a curator for the International Center of Photography in New York, as well as a successful photojournalist. She takes delight in connecting creative parties, be it in art, writing or publishing—Ruth is a cultural matchmaker.
Visiting Ruth in her home in Berkeley is like a trip to gallery row. Every wall, shelf and corner is filled with fine prints, paintings and photographs … a framed André Kertész, a William Wegman Polaroid, a classic Nicholas Nixon. We were excited to hear that Ruth has donated a good portion of her collection to raise money to help the dogs she so dearly loves. Friends have organized a month-long online auction to benefit both the SPCA’s “Take Your Best Shot” program, which increases the adoption rate in high‐kill, low-income shelters by presenting quality, attractive portraits of available pets to potential adopters, and the HSUS’ “Pets for Life” program, which addresses the need for spay and neuter services in underserved communities.
The appropriately named “Good Dog Art Exhibition and Silent Auction” can be viewed online at http://tinyurl.com/GoodDogArt through February 26, 2015. It’s a wonderful opportunity to acquire first-rate photography and art while helping animals in need and the programs that serve them. And if you happen to be in the Bay Area this month, you can view the art in person at two venues—Wag Hotels and San Francisco SPCA. A special Good Dog Art Party is being held at Wag Hotels on the closing night of the auction, February 26. Tickets can be purchased at the URL above. We hope you’ll expand your art collection and help the dogs!
Culture: Stories & Lit
Learning that life can be good
She and I are alone. When I say the B-word, she rushes to my side and goes into a sit, the first thing she learned, and so far the only one: sit comes before treat the way head comes before tail. It’s not open for discussion.
“Bagel! Maxine! Bagel!”
She’s so wiggly, she can barely hold her bum to the floor. The eyes that were sad and dull in her adoption photo are now bright. Her long tail goes back and forth at the rate of maybe a hundred swishes per second. Come to think of it, since she came to live with us a month ago, she’s also learned something else: incredibly, there is such a thing in life as feeling alive.
Maybe she remembers that a frozen blueberry bagel was what I gave her to chew on after I brought her home for the first time, after she had torn apart every toy in her crate— toys that were supposed to be (ha-ha) indestructible. Last week, she got hold of her adopted brother’s yellow rubber duck, which now has no head. Yesterday, she attacked the only toy her other new brother loves, a small purple bear he’s had for seven years, since his puppy days. She pulled it from under his chin while he was sleeping. Now, it looks like someone put it through a miniature leaf-shredder, after pulling out the stuffing.
She’s close to a year old: a chocolate Lab/Wirehaired Terrier mix, bearded, scruffy, skinny, long-legged. On our walks, strangers who stop to ask about her haven’t always been kind. It’s been pointed out to me that she looks like an Irish Wolfhound crossed with a monkey, a Labradoodle with ancestors who were porcupines, a Schnauzer crossed with a Whippet. I’m never bothered by these observations. I happen to know my new girl dog is one of the most beautiful creatures on earth.
The woman who rescued and fostered her told me during a phone conversation that she was guessing Maxine would turn out to be Retriever-ish, but maybe she said that to make me feel I’d have some experience to draw from (my other two dogs are Retrievers). I thought it would be nice to live with a dog who has two different but equal sides, like kids on a seesaw who weigh the same. That was a fantasy. I know a lot about Terriers now. I know the Terrier part of any dog has no interest in being equal. Terriers feel they should be allowed to do whatever they want, all the time, and if you don’t agree with that, something must be wrong with you.
“Maxine, this is a lesson! School time! School and bagel!” I home-school my dogs, making things up as we go along in a trial-and-error sort of way. I’m a dog-training amateur, and sometimes, their behavior drives me crazy, especially when other people are around. Anyone who comes to my home, stranger to the dogs or not, has to hurry to a chair (as in, “sit down and hang on!”) because the dogs get carried away greeting and checking out humans and vying for attention. If I shut them in another part of the house when someone’s visiting, I break their hearts. They act like eager students who do not understand why their teacher won’t give them a lesson in something they’re dying to learn.
I don’t have dog-education credentials, but I taught creative writing to humans for a long time. Also, I’m a mom. I love teaching and it’s always come naturally to me, and I do think my students and my son fared okay with me pushing them to try things they never thought they could do, and then pushing them a little harder to do those things as well as they possibly could. But they’d probably, every one of them, welcome any chance to say I was tough, or I was demanding, or I was “Terrier-like.”
“Yes! It’s blueberry!”
Maxine watches me take the bagel out of the freezer and drop it into an empty cereal box. Her tail stops moving, like an excited voice going suddenly silent. She’s confused. Why don’t I hand her this favorite thing? Is something wrong? Did I stop loving her after only one month, when I had sworn to love her forever, when love was the first word I taught her, even before sit and bagel? I set the cereal box upright on the floor. She is baffled. She takes a step toward it, then two steps back, tail drooping, head low.
When I do this with Andy, my giant, high-strung Golden, he gets whatever big carton I have. It takes him just minutes to jump the box and jaw it, paw it, crush it and rip it. When he finishes the treat, he commences to see how much cardboard he can eat before I take it away. Skip, my undersized Nova Scotia Duck Toller, gets a shoe or boot box, the lid secured with duct tape to thwart him. He is the MIT student of my household. He takes forever to paw-push and nose-nudge the box around, tipping it, studying it, until he figures out exactly where the treat is. When he creates an opening, it’s the right size for him to reach in with his snoot or a paw, and there you go. It would never occur to either of them not to liberate the treat.
Maxine went into a high-kill shelter when she was a tiny pup. There is no information about her past except that her mother is a chocolate Lab owned by a “backyard breeder.” Somehow, the Lab had mated with an anonymous bearded Terrier—definitely not one she was supposed to step out with.
The woman who saved Maxine is connected with the adoption group I had applied to. This is how she described the rescue to me: “I ran to the shelter when I found out they put her name on their euthanasia schedule for that day. Her time had run out and no one wanted her. I don’t suppose anyone going there to adopt had looked at her twice, her being so unusual. She’s the only one of that litter—they were all surrendered— who didn’t get homed. I opened her cage and grabbed her and tucked her under my arm. I wish you could’ve seen how she looked at me. She was real quiet, but she knew what was what. They always know.”
Maxine looks at the box. She lies down. Her eyes are the eyes of one who feels defeated about trying something before the trying has even begun. In her head, she is still in her cage. Everything she wants is outside it.
They say that dogs don’t cry like humans. But anyone who has lived with a dog knows they do. They just don’t get wet about it.
I whisper to her, “Don’t cry. It’s okay.”
I’ve been afraid that all those months in a cage damaged her in ways that cannot be undone. She has space issues; she’s always banging into things. Her vision checks out perfectly, but she has trouble seeing anything that isn’t straight ahead and up close. If she hears a noise behind her, she still doesn’t know she can learn what it is by simply tuning around. When you throw her a tennis ball, she leaps to catch it, but by the time she jumps, the ball is no longer in the air; then she freaks out a little, not knowing how to look for it. And she was terribly ill when she arrived: parasites, malnutrition, poor digestion. Then came a scary infection that put her into emergency care and hospitalization. This is a dog who, in her first year of life, has twice been at the brink of death.
What am I doing? Why am I forcing her to confront a task she clearly can’t handle? Why didn’t I know right away that expecting her to try for the bagel is the same as asking her to grow wings and fly around the room like a bird?
For a second, I comfort myself with the thought that maybe I rushed this. It’s only been a month. Surely, when I try again at some point in the future, all will be well, and she’ll make a tiny effort to at least put one paw on her box. But the signs aren’t good.
The top flaps of the cereal box are open and folded back. In the moment before I reach for the box to tip it and let the bagel fall out so she can at least retrieve it, I smile at her and try to tell her with a look that what I’m about to do is completely right, and what I’d meant to do all along. I didn’t really want her to do to the box what she had done to her crate toys, Andy’s bear, Skip’s rubber duck and all the other things she’s destroyed. It’s fine that she doesn’t do what Terriers have done historically to small animals, such as rats. I want her to be happy and safe and okay with herself exactly as she is. I want her to …
There’s no such thing as ES P, right? There’s no such thing as thoughts in a human mind transporting, somehow, to the mind of a dog, right?
This happened. I was thinking something along the lines of Get this box and kill it, Maxine. I was thinking, I want …
She jumps up from what was nearly a stupor so fast that I almost don’t see it. She pounces. She sinks her teeth into the side of the box, then tips her head and hoists it, and shakes it and shakes it and shakes it. Her head is going side to side almost as fast as her tail. She doesn’t know the bagel flew out until she takes a break from the shaking to catch her breath.
She spots where the bagel landed. Oh! How did that happen?
She is awestruck. She grabs it and jumps to the couch, which is covered with an old cotton blanket. As soon as she’s up there, she licks the bagel like it needs to be cleaned. I see the way she settles into the blanket. Her cage had a floor of cement.
I go to the treat container to get a biscuit. Andy and Skip are out in the dog pen and they’ll soon be inside. I know what will happen if they smell blueberry bagel and not a ordinary treat on their sister’s breath. I’ll never hear the end of it, but they’re both on a diet.
I send Maxine this thought: no way am I leaving the box lid open the next time, no way. She doesn’t tune in. She’s too busy chewing.
Crumbs are stuck in her beard. She’s holding the bagel between her slim, strong paws. She seems too fixated to know she’s about to get a biscuit, too, but of course she knows. Her tail starts thumping the couch, up, down, drumstick-like, sounding out a beat I want to listen to forever. A heartbeat.
Dog's Life: Travel
For the ultimate road trip, set your GPS for Patagonia via the Pan-American Highway
For those who cannot imagine a vacation without their canine companions, a road trip is the obvious way to go. And when it comes to roads, the Pan-American Highway is the mother of them all. Stretching 30,000 miles from Prudhoe Bay, Alaska, to the southernmost tip of Patagonia in Ushuaia, Argentina, it traverses almost every type of terrain imaginable, from deserts to rain forests and tropical beaches to snowy mountains. If you’ve exhausted local options and have time for a more far-reaching adventure, you may want to give it a whirl. Here are some tips on planning for and enjoying a road trip with your dog through Mexico, Central America and beyond.
Can I really take my dog all the way to Patagonia?
Yes! The Pan-American Highway is a well-traveled route, and you will be sure to meet countless people touring with their much larger, much smaller or even multiple dogs (not to mention cats and the occasional bird). Traveling with a dog has many advantages. We all know that dogs provide us with a great way to meet people, and they can keep homesickness at bay if you plan to be on the road for a while. Having a dog around can also contribute to your own and your vehicle’s security when you’re camping or in an unfamiliar place.
That said, you know your dog best. If she has health or behavioral issues, or gets carsick, you might want to find a friendly place for her to stay while you’re away.
What kinds of dog-related supplies do I need to bring?
Any special medications your dog may need and proof of an up-to-date rabies vaccination are critical. Otherwise, people keep dogs as pets in all of the Americas, and you will be able to find dog food, accessories and common medications like flea and tick treatments almost everywhere you go. Although rabies is the only required vaccination, it’s a good idea to also have your dog inoculated against kennel cough and parvovirus —boosters can also be renewed along the way.
Is it difficult to cross international borders with a dog?
It depends. Experiences at border crossings vary by location and by the inspectors who happen to be working that day. It is always a good idea to be prepared: check each country’s entry requirements a few days before you plan to cross. Most countries ask that you obtain a health certificate for your dog three to 10 days in advance and make this certificate available for inspection at the border, along with vaccination information. Vets are plentiful and will produce this document for free or at very little cost, although many will insist that it is not needed—and in most instances, they’ll be right.
Chile has the most difficult pet-related border crossing requirements. A health certificate from the previous country’s agricultural inspection agency (such as Argentina’s SENASA) is required; to get this, you’ll need to make specific office and vet visits, both of which come with small fees. If heading all the way south to Ushuaia, the Chilean border must be crossed at least twice; if you plan to do it in a short period of time, special transit paperwork can be arranged— just ask at the corresponding agency.
What health concerns do I need to look out for in the Americas?
It’s always a good idea to drop in at a vet facility periodically to see what the local issues may be. Heartworm is not a problem in South America, but intestinal worms are. In some parts of Central America, dry spells can lead to a proliferation of ticks, which can transmit ehrlichiosis, fatal but treatable if identified early. Additionally, South America has a problem with screwworm, a fly-like boring insect that can infect animals through open wounds and orifices. Stay current with your dog’s flea and tick treatments, and be sure to groom them regularly for ticks; when in doubt, visit the nearest vet.
How dog-friendly is Latin America? Will I find places I cannot visit with my dog?
In general, it is much more dog-friendly than the U.S. That being said, dogs are not permitted in most national parks, historic sites and anywhere with protected wildlife. When visiting these areas, make arrangements ahead of time to leave your dog in a hotel or kennel for the day—or, on the fly, have a local shopkeeper watch your pet; a small tip is usually appreciated. Depending on the area, you can always ask park staff to make an exception, as sometimes more flexibility is granted to visiting foreigners with well-behaved dogs on leash.
In terms of lodging, smaller, family-run campsites, hotels and hostels are your best bets; it’s a good idea to call ahead if possible. Many places are not used to travelers with well behaved dogs, so a simple display of canine obedience is often enough to gain your dog entrance into a place that may otherwise prohibit them. Demonstrate that your dog can sit and lie down on command, and learn how to say in Spanish that your dog is housebroken, doesn’t bite or bark, and will sleep in his own bed—if you have one, show the innkeeper a dedicated dog blanket or even a travel kennel.
How about crossing the Darién Gap?
Right. Crossing from Panama to Colombia means negotiating this stretch of jungley, roadless swampland. While a simple car ferry has been planned for some time, it doesn’t exist yet; most overland travelers ship their vehicles as cargo, cross either by boat or air, and meet them on the other side. With a bit of research, you may be able to find a passenger boat willing to take you and your dog to Colombia, with stops in the San Blas Islands. However, if you decide to do this, be prepared for a 30-hour, open-sea crossing that can be quite rough. The other option is to fly. High temperatures ground dogs between July 15 and August 15, however, so plan accordingly.
What else can I do to prepare for a trip like this?
The best resources for up-to-date pet and travel information are other travelers. Always check in with those you meet on the road to see what their experiences have been, as rules and management change frequently.
with Pope's Blessing CORRECTED VERSION
On Dec. 16 The New York Times, where the following article was sourced from, published a clarification about the remarks attributable to Pope Francis:
An article on Friday about whether Pope Francis believes that animals go to heaven — a longstanding theological question in the church — misstated the pope’s recent remarks and the circumstances in which they were made.
He spoke in a general audience at the Vatican on Nov. 26, not in consoling a distraught boy whose dog had died. According to Vatican Radio, Francis said, in speaking of heaven, “The Holy Scripture teaches us that the fulfillment of this wonderful design also affects everything around us.” He did not say: “One day, we will see our animals again in the eternity of Christ. Paradise is open to all of God’s creatures.” Those remarks are reported to have been made by Pope Paul VI to a distraught child.
An article on Nov. 27 in Corriere della Sera, the influential Italian daily, compared Francis’ comments to Paul’s, and concluded that Francis also believed that animals go to heaven. A number of subsequent news reports then mistakenly attributed both quotations to Francis; The Times should have verified the quotations with the Vatican.
What a refreshing, and can I say, enlightened pope that Catholics have with Pope Francis! In responding to a little child’s grief at his dog dying, Francis told a crowd at St. Peter’s Square that, indeed, “paradise is open to all of God’s creatures.” This message sent theological scholars and humane societies across the world into a frenzy, the former trying to figure out exactly what the pope meant, the latter rejoicing in the great news that dogs and all animals can go, and merit going to heaven, and in fact, have souls. Such marvelous news. In reading through the reports about this “divine” decision, it was learned that it wasn’t until 1854 when papal infallibility was actually inscribed in that faith by Pope Pius IX who also supported the doctrine that animals have no consciousness, hence have no place in heaven, and even worse he tried to stop the founding of an Italian chapter of the SPCA. But back in 1990, Pope John Paul II seemed to reverse Pius when he said that “animals do have souls and are “as near to God as men are.” This position wasn’t well advertised by the church. Unfortunately John Paul was followed by the stricter more conservative, Benedict who reverted back to Pius’s position.
But now we have a new pope and definitely a new age in the way that most view animals, with a pope who, “citing biblical passages that assert that animals not only go to heaven, but get along with one another when they get there." Francis was quoted by the Italian news media as saying: “One day, we will see our animals again in the eternity of Christ. Paradise is open to all of God’s creatures.”
The editor of Catholic magazine, the Rev. James Martin, who is also Jesuit, like the pope, said that he believed that the pope was at least asserting that “God loves and Christ redeems all of creation,” and adds that “he’s reminding us that all creation is holy and that in his mind, paradise is open to all creatures, and frankly, I agree with him.”
While it is not such as surprise that Pope Francis, who took his papal name from St. Francis of Assisi, the patron saint of animals, would take this humane, enlightened position, it is a remarkable gift he has given to all animal lovers this holiday season. Viva le Pope Francis!
Dog's Life: Lifestyle
The effects can last a decade
For years after the release of 101 Dalmatians, I saw representatives of this breed a lot in group classes and in private consultations for serious behavioral problems. Then, after the popularity of Eddie in the TV show Frasier, I saw more Jack Russell Terriers than before, even though that dog was a mix. When the movie Mozart came out, there was a bit of an upswing in the number of Saint Bernards I saw. I never thought I could see MORE Labrador Retrievers, but when Marley and Me was all the rage, there were even more than ever. I’m always conscious of what types of dogs are becoming stars, because it’s been my impression that it will affect my work.
Now, a new study in PLOS ONE titled “Dog Movie Stars and Dog Breed Popularity: A Case Study in Media Influence on Choice” has confirmed what anyone working with dogs professionally has long suspected: Canine movie stars influence the dog breeds that people choose. The reason that can be a problem is that it means that people are choosing dog breeds based on fads and fashion rather than on compatibility of the breed with lifestyle or the health of the dogs.
To study the degree of media influence on the choices people make about the type of dog to welcome into their family, researchers collected data from the American Kennel Club (AKC) about registered dogs of each breed. They analyzed the changes in popularity of dogs that were featured as main characters in movies from 1927 through 2004. In order to make sure that specific dogs were not in movies BECAUSE the breed was popular, they looked at trends in the relevant breeds both before and after the release of the movies
Movies in the early period of the study had a greater impact on breed choices by the public than movies in later years. The researchers suggest that this might be because of competition from other movies. Early on (before 1940), movies featuring dogs came out less than once a year, but later on (by 2005), it was not unusual for seven dog movies to be released in a single year.
In many cases, an increase in registrations of a particular breed that was seen in a popular movie was strongest 10 years after the movie was released. This may mean that preferences for a certain breed seen in a movie may be long-lasting and influence decisions about what dog to acquire many years after seeing a movie.
Did you ever fall in love with a dog in the movies and acquire one of the same breed later on?
Good Dog: Behavior & Training
It adds to the town’s beauty
Dogs and art both dress up a city, and when they are combined, the charm is more than doubled. That’s why I was so pleased when I spotted this fire hydrant painted to look like a dog with a firefighter’s hat in West Jefferson, North Carolina. I already liked the area, and this discovery added to my warm feelings about it. It’s not everyone’s style, to be sure, but I like the whimsical look.
I spent some time watching the fire hydrant while sitting on a nearby bench. Though I saw a few people—certainly tourists like me—stop to admire it, I did not see a single dog sniff it or mark it. In this town, there were not a lot of dogs walking around, so the fire hydrant was not serving as a place to mark.
The real purpose of fire hydrants, of course, is to provide water in the event of fire and they are therefore important safety tools. Some people object to painting fire hydrants for fun because it may make them harder to find in an emergency. They are usually red or yellow in order to be easily seen, though the Dalmatian is one of the most common themes when they are painted as an art form.
Are there dog fire hydrants in your area?
News: Guest Posts
John Dolan and his dog George
Coming home a little earlier from nights out; waking up with the sun to get in that daily walk; adding a new vacuum to the top of your birthday wish list—things have a tendency to change when you bring a dog into your life. London based artist, John Dolan, was no exception to this rule. We recently read about Dolan and his dog, George, in an interview published by the Guardian earlier this month, and we were instantly enamored with the duo.
Dolan, struggled with poverty, addiction and homelessness for most of his adult life, then, one day in 2009, a young homeless couple, about to move into an apartment, gave him George. And then things began to happen...
The Guardian writes:
Dolan was terrified to be entrusted with George, his first ever responsibility. "How was I going to cope with him? I couldn't even cope with myself," he says. But he'd loved the family dog, Butch, as a boy, and he noticed how George always looked him in the eye when he talked. They bonded and Dolan had a stark realisation: if he went to prison again, he would lose George. So he gave up crime. "It was only because I had the animal and he's a responsibility," he says, stroking George. "He's like my child in a sense and I feel obliged to keep a roof over his head and keep him warm."
In 2009, in an attempt to make an honest living, John turned to selling sketches of George to passers-by on the street for about $30 each. A few years later, his drawings were published in Shoreditch Unbound, a limited edition book showcasing East London's creative culture. After that, commissions started rolling in, including a request from gallery director, Richard Howard-Griffin. This is when his fledgling career as a working artist took off.
John now has a solo show under his belt (which happened to be a sell-out) and another just opened; he has collaborated with many high-profile street artists, including ROA, Stik and Tierry Noir; he has written a book about his life with George (an experience he likened to therapy), and, later this year, he'll cross the pond for a third solo show in Los Angeles.
While John's life has seen a dramatic turn-around in the past few years, there is one thing that remains constant—George, the staffy-bull who saved him.
Again, from the Guardian:
"I feel like he's a guardian angel. If it hadn't been for him I'd have never picked up my pen," he says, stroking his companion.
Click HERE to see more of John Dolan's work. Keep up with John and George on Facebook.
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