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Sometimes the most impactful innovations are those made to simple, every day acts — like picking up your dog’s waste. We were introduced to Eco Dog Planet’s Doggie Waste Bags at last month’s Global Pet Expo where they debuted their eco-friendly poop bags made from tapioca. The light but sturdy bags are manufactured from the starch of tapioca plants, a sustainable non-GMO crop that helps support small farmers in Indonesia. The material easily decomposes in soil or landfills when exposed to micro-organisms. Renewable resources, community farming — a great back story for sure, but how does the product … perform? Very well we’ve found. The bags have a slightly thicker feel to them than other starch bags we’ve tested, and a toothy surface that helps buffer the tactile experience. Plus, they don’t fall apart in your pocket after a few weeks as some other starch bags do. Bark loves Eco Dog Planet’s Doggie Waste Bags! A pack of 60 bags sells for $9.99 at ecodogplanet.com
Click here for a chance to win a box of bags.
Last week, the red carpet was rolled out for the Los Angeles premiere of Darling Companion, the new film by Lawrence and Meg Kasdan, starring Diane Keaton, Kevin Kline, and Kasey the dog. As a media sponsor for the event, The Bark, invited a handful of lucky readers to enjoy the festivities at Hollywood’s historic Egyptian Theater. Guests celebrated with the film’s stars, enjoying cocktails provided by Patron and noshing on churros and hot dogs. Kasey handled his new found celebrity with ease and exuded an air of sophistication befitting the occasion. His performance as a rescued dog who exposes the frayed marriage of the Keaton and Kline characters, had the audience in laughter and tears, rooting for a happy end. In the spirit of the film’s theme, The Amanda Foundation hosted an adoption fair with more than a dozen dogs seeking their forever homes. The adorable pups proved to be the toast of the evening … check out the video.
Read an interview with the filmmakers Lawrence and Meg Kasdan here.
Dog's Life: Lifestyle
Home Works: Smart Solutions
Ringware Dog Bowls
People Towels for Pet Lovers
Transaction Publishers, 235 pp., 2008; $34.95
We Give Our Hearts to Dogs to Tear is not your typical, heartwarming dog story. Yes, there are heartwarming passages aplenty. But this book is also full of heart-stopping tragedy. That’s because the author and his human and animal family, including an assortment of Jack Russell Terriers, live in the wild mountains of Montana. Beautiful and rugged, the land is full of dangers ranging from hungry coyotes, bears and mountain lions to crabby 30-pound badgers, snares left by fur trappers, and poison set out by ranchers for coyotes. This is the sort of setting where any dog can get into serious trouble. And no dog can get into trouble like a Jack Russell Terrier.
These 15-pound dogs think they’re 10 feet tall, and immortal. They are fearless hunters. If you have or know a Jack Russell, you will have noticed that they consider what other dogs accept as commands to be mere suggestions. It’s because they think they know more than you do, and they may be right. Although all exhibit the breed’s typical intelligence, courage and energy, each is a uniquely complex, and often problematic, character. Chase’s Nobie was “a bundle of exasperating eccentricities,” whose “personality [had] more kinks than a corkscrew.” Ifrit “had a limitless capacity for love,” yet once, while playing, bit the author so hard he had to get a tetanus shot. Hobson was “sensitivity incarnate,” but prone to anxiety attacks that sent him diving under the bed covers.
The author buys his first Jack Russell as a birthday present for his wife, Diana—by mistake. He thinks he heard her say she wanted one; she remembers saying nothing of the kind. The couple already had plenty of animals: among them, 11 horses, two wildcats, a Mastiff and a coyote. Neither of them had any idea that Jack Russells were small dogs, and no clue that they had such huge personalities. But as it turns out, the breed was a perfect match for the big-hearted, life-loving, risk-taking couple. Transplants from Minnesota, they’re the sort of folks who, though perennially broke, fell in love with a dilapidated 3,000-acre Montana ranch that they knew was “too expensive, too primitive and too remote”—and promptly bought it.
Their Jack Russells are just as adventurous as they are. With a frenetic zest for life, these pint-sized dogs hunt ground squirrels, take out marmots and challenge badgers. They fall off rock ledges, collide with skunks, get quilled by porcupines and nearly drown in rushing rivers. Every day with the dogs, writes Chase, is “filled with love, play, empathy, anxiety, courage and near sudden death.”
Too often, death catches up with them. Their first Jack Russell, Phineas, dies in agony in less than a year, poisoned. Another is killed by a badger. One dies young of liver disease. Others live to old age—but you’ll cry when they die, too.
The deaths of these feisty dogs, as much as their lives, form the heart of the book. There are lots of great characters, moving descriptions of the land, discourses on the history of the Jack Russell and the dangers of breeding for appearance instead of performance. But these are incidental in the journey that is the book’s narrative core: Chase is looking for immortality for his dogs. Aren’t we all?
Because it’s impossible not to fall in love with characters like Phineas and Ifrit, Truffle and Tigger, Panda and Bungee—especially after you see the black and white pictures—some readers will be angry that Chase chose to bring these fearless, trouble-prone dogs into the dangerous western wilderness. Chase tackles this issue head-on, like one of his dogs might seize a ground squirrel. A former professor of philosophy, Chase takes on some Big Questions: Who are our dogs? What sort of lives do we owe them? How do we honor their spirits? What is the soul? Where lies immortality?
Bereft again and again, Chase tries to find another Phineas. (He gets two Jack Russells the next time, for emotional insurance.) He tries to replicate Ifrit. (This also fails.) He visits breeders, seeking to reincarnate the spirit of Bungee. Of course, it doesn’t work. But the vivid ghosts of Chase’s dogs demonstrate that what does happen is another kind of immortality.
Surely one of the cruelest conditions of life on Earth is that dogs don’t live as long as people. Yet, we “give our hearts to dogs to tear,” as Rudyard Kipling writes in the poem that gave Chase the book’s title. Yes, they tear our heart—but their indomitable, timeless spirits heal it again and again.
Viking, 341 pp., 2008; $23.95
One would have to have a heart of stone not to be captivated by this bittersweet debut novel, now available in an American edition, in which Prince, a Labrador Retriever, narrates his heroic attempts to save his human family from the dangers that threaten their peace and security. That the novel in form is a reminiscence by Prince as he waits to be put down by his owner, who does not understand what Prince has done throughout to save the family from itself, testifies, of course, to the futility of his actions. But that this sad history is communicated to a younger Labrador as a cautionary tale in how best to perform as Labradors expect of themselves, turns it into a larger, tragicomic meditation on loyalty, sacrifice and the possibilities of idealism in a world of disillusionment and irresponsibility.
The situation is this: Originally obedient, the Springer Spaniels, having realized that humans can no longer take care of themselves and hence that the stability of their families cannot be taken for granted, no longer pay attention to humans’ welfare or intervene on their behalf. They begin to slip their leads; they live for the moment and for themselves; they learn to sniff for pleasure rather than for purpose. The humans hardly notice—“Lamp posts were still being splashed. Crotches were still being sniffed.”—and most of the breeds are quietly won over to the Springers’ cause. Not so the Labradors, who institute a compact, based on the immutable principles of “duty over all,” self-denial, non-violence and constant vigilance. To the extent that humans consider the breakdown of family bonds, they explain it through easy sociology: the demands of career, the secularization of Western society, unhealthy diet. But as usual in this novel, the dogs sniff out the problem all too well: Humans overly privilege one sense (sight), which too often makes them the victim of appearances; they don’t understand their own nature, as part of Nature; they are afraid of aging and death; they can’t come to terms with sex; and in general, think that with science, technology and culture, they can control desire and instinct. Relying on such apparatus, Haig suggests, makes humans lovable objects for Labradors’ protective instincts, but teaches them nothing about themselves. And, sadly, it’s the dogs who pay the price: Get too close to them and you’ll get hurt, Prince is warned by a non-Lab; and so indeed he is.
This novel works as well as it does because of two writerly strategies. First, Haig’s sensitive depiction of the Hunter family, who had rescued Prince as a pup from a shelter in a desperate attempt to shore up their own dissolving human relationships, wisely renders them neither evil nor psychopathic, even if disconcertingly typical and familiar in their failings. Adam, the father, irresolute and frustrated in both his career and marriage, becomes involved with a good-looking, ditzy aromatherapist. Kate, the mother, avoids marital intimacy through incessant housecleaning, but too easily acquiesces when her old lover reappears. Hal and Charlotte, the teenaged children, are predictably given over to rebellious acts with seedy friends. Prince knows how few internal resources this weak but finally sympathetic family can muster against threats from the outside. Second, Haig nicely complicates Prince’s personality beyond that of a mere virtuous automaton: At night, Prince dreams of running wild with his ancestral wolves; at one point, he falls into a reverie, intoxicated by the delectable leaf juice, worm blood and squirrel droppings of the park’s smell-heap. He later undergoes a profound crisis of belief when learning that his father figure, a Labrador named Henry, has morally compromised himself in blind adherence to the letter of the pact. Because Haig has made the moral choices complex, Prince’s final self-denying commitment to an ideal that will never be realized is all the more nuanced and profound.
Similarly nuanced and largely successful is Haig’s ingenious evocations of Shakespeare, specifically the two parts of Henry IV: “Prince,” like Shakespeare’s Prince Hal, will reject the temptations of the self-indulgent life represented by the Springer-spokesman “Falstaff,” prove himself by defeating the traitor to the established order—appropriately named Simon “Hotspur”—and accept the values of his father-figure “Henry.” Other allusions are less relevant (there is an impetuous Rottweiler named “Lear”) or inappropriate (“Kate,” the name by which Prince Hal addresses his French wife after he is crowned king, is a bad choice of name for the mother). But it’s especially intriguing that the future of the teenaged son “Hal” is left uncertain. The only human who hears Prince’s words, young Hal cannot accept them, coming as they do from a dog. We are left to wonder in this wise and wry novel if he will remain “in the tavern,” surrounded by the Falstaffs of the world, and whether Prince has died in vain.
Perfect Paws Productions, 2007, Runtime 2 hours 35 minutes; $34.95
When all the pieces of a puzzle snap together, it’s a pleasure to behold. In this instance, the “puzzle” is the pet dog training DVD, Perfect Paws in 5 Days. The pieces include terrific production quality, jazzy dog-themed music and an engaging supporting cast cleverly bound together by Jean Donaldson, an upbeat and innovative dog training expert.
The DVD covers essential training commands: “sit,” “down,” “stay,” “come” and “watch me.” Jean’s entertaining chapter introductions teach dog training theory in small, interesting nuggets. After Jean demonstrates each exercise—assisted by her enthusiastic demo dog, Buffy—you join her and five dog-training teams for classes at the Perfect Paws training academy. With lavish praise and gentle corrections, Jean and her teams demonstrate the right, and wrong, way to practice each behavior. “Push, stick, drop” are among Jean’s unique cues to successful training; your dog will love her signature approach to teaching come/recall.
While this DVD is top-notch, it’s not perfect. First, the DVD menu lists the classes as Lessons One through Five, which doesn’t explain what they include. The extensive bonus material didn’t print from the DVD menu on either a Mac or a Windows PC, but was accessible directly from the disk on both platforms. Those small mechanical complaints aside, Perfect Paws in 5 Days highlights Jean’s original dog-training techniques. Let’s hope it’s the first in a series of equally creative DVDs covering other tricky training challenges.
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Almaden Books, 238 pp., 2007; $16.95
In this no-kill manifesto, attorney Nathan Winograd identifies the moment when he believes the budding humane movement lost its way. Overruling the wishes of its founder, Henry Bergh, ASPCA agreed in the late 1800s to operate New York’s cruelly primitive dog pounds. Thus, the organization became accustomed to killing animals, albeit more compassionately than under the city’s brutal regime. Winograd argues that the animal welfare establishment has remained mired in 19th-century thinking and processes, to unnecessarily fatal effect for the five million healthy animals destroyed in US animal “shelters” each year.
He traces the movement’s history, highlighting its failed attempts to legislate, educate and coercively sterilize the nation out of its presumed pet over-population problem. Policies have been founded, he claims, on twin (and false) premises: that there are too many companion animals to be absorbed into proper homes, and that the public can be harangued into more responsible care of its pets. This has led shelters to the hopeless approach of “adopting out a few and killing the rest” of their unlucky tenants, while blaming an indifferent citizenry for their thankless task.
He then describes no-kill successes in San Francisco; Charlottesville, Va.; and Reno, Nev., as well as his own shelter management work in rural Tompkins County, N.Y. Here the book comes alive as he reports life-or-death tales of animals who were spared the needle by the best efforts of shelter personnel applying the logic, tactics and creative hard work of the no-kill paradigm: low-cost spay/neuter, foster and rescue care, medical/behavioral interventions, trap/neuter/release for feral cats, and several species of community outreach. In each case, shelters dramatically reduced their kill rates to under 10 percent of all animals without selective intake or “adoptability” analyses to eliminate problem critters—no smoke, no mirrors. He also explodes the claim of inherent overpopulation, demonstrating that sufficient homes are available if only they can be more effectively linked with needy animals.
Finally, Winograd indicts the humane establishment for seeking to discredit—rather than embrace—these successes. San Francisco was proclaimed too urban (and, remarkably, too “gay”); Tompkins County, too rural and Yankee; Charlottesville, too collegiate, and so on. Institutional interests, he believes, have outweighed their life-saving mission. Indeed, the response of the mainstream organizations to this book will be crucial and instructive. One hopes for a collaboration toward better, 21st-century “best practices.” Eyes on the prize, everyone—our behavior should not embarrass our pets.
The world owes much to those rare individuals who see things differently—and who then devote themselves to vindicating their maverick conclusions. Though Redemption is repetitive, may be over-harsh on no-kill’s detractors, and concentrates more on diagnosis than cure, it’s an important work. The shelter world has shielded most of the public from the grim realities of its operations, and has convinced the rest that change is possible only at the margins. This book is a clarion call to the burgeoning, pet-loving community—readers of The Bark, perhaps—to demand better from its shelters, and to participate in the soulful work of saving lives.
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The Penguin Press, 238 pp., March 2008; $25.95
This is a story of a life measured out in dogs. Today, Morie Sawataishi is 94, and when he looks back at the road he’s traveled, the signposts all look like Akitas.
Akitas are dogs of Japan’s snow country: long, heavy legs; tightly curled tails; great stamina; and a thick double coat heavy enough to protect them in all kinds of weather. These were the dogs who are thought to have come onto the main island of Japan with the first tribes of migratory hunters some 2,000 years ago, and who, for 300 years, were inspirations for Japan’s samurai class. The story of Hachi-ko—the Akita who, daily for nine years, met the four o’clock train at the Shibuya station, watching for his deceased master—is known by every schoolchild.
Yet, during World War II, the breed came close to being wiped out. The military paid dearly for heavy Akita pelts, which were used to line officers’ coats, and in those grim times, there was no shortage of sellers.
In Dog Man, Martha Sherrill describes how Sawataishi—a single-minded man with a fierce will—helped save the ancient Akita from almost certain extinction. To Sawataishi, the Akita wasn’t exotic; for him “it was simply the local dog, the regional dog, the breed he’d seen everywhere as a child growing up in snow country.” No one was more surprised than him when, in his 30s and newly returned from a stint in the Japanese navy, he was overcome with a desire for an Akita. By that time, there weren’t many around, and because food was scarce too, feeding a dog was a hard thing to do. But Sawataishi persevered, and one day, came home with an Akita puppy—to the immense dismay of his wife.
This wasn’t the first unconventional thing Sawataishi had done; within days of marrying a well-educated girl from Tokyo, he took her to the island’s far north to live near his family. She returned to Tokyo while he served his time in the navy, but when he completed his duty, back they went to snow country, where everything was not only colder, it was more difficult. Thirty years ago, when he decided to build a traditional cottage on slopes of Mount Kurikoma, everyone else in the family objected, and some thought he’d lost his mind. But build it he did. He didn’t want the things most of his countrymen craved: a golf membership, a fine home in Tokyo, an easy life. No, he wanted space, and quiet, and room for his dogs. And there, on the side of the mountain, he found them.
This is not only a story about a man and his dogs, it is also the story of a time in Japan that Americans heard little about. During World War II, it was hard for those in the U.S. to imagine that there were people in the island nation who didn’t want to kill them, people who were appalled by the military’s raging ambition. In Dog Man, we learn about some of these “other” Japanese and the hardships they endured as every resource their country could muster went to support the military. Who lived in fear of bombers overhead. Who, starving, were urged on to even greater sacrifices by their emperor. Under those circumstances, Sawataishi’s desire for a dog is both a snapshot of normalcy and emblematic of his independent and determined nature.
“In the old days of Japan, honoring the specific look or ‘breed’ was never part of the dog tradition. Spirit was the thing one hoped to keep alive.” Dog Man is a celebration of a man with spirit to spare, and of the dogs that marked and enriched his life.
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Harcourt, 398 pp., 2008; $15
There have been a slew of dog biographies and canine/human-memoirs published lately—many falling into the “can you believe that my dog actually did that” subgenre. Just see what the unbridled success of Marley & Me has spawned! Publishers are, at long last, understanding the power that dogs, and good dog stories, have to sell books. The other thing that some of these books have in common is that they have been written by journalists, who know how to spin engaging stories. John Grogan, whose newspaper column previewed his Marley stories, becomes a bestselling author by compiling his columns into a book about a big, lovable, but oh-so-naughty Lab. The prolific Jon Katz, whose first dog book, A Dog Year, came out 2002, has expanded his title empire by publishing nearly a book a year, and has become a self-styled gentleman farmer and dog “expert.” Now, with the publication of Ted Kerasote’s Merle’s Door: Lessons from a Freethinking Dog, comes a much smarter and more compelling read, making it a welcome addition to the field.
Kerasote—author, journalist, outdoorsman and hunter—tells the story of his dog Merle, whom he found while on a kayaking trip in Utah. The large, red, amiable dog had apparently been living alone for some time, perhaps a reservation dog gone astray, before he met up with Kerasote and his fellow kayakers. The author interpreted the attention the dog directed to him to mean: “You need a dog, and I’m it.” Merle goes on to become the river trip’s mascot, which begins a 13-year journey of co-discovery for dog and man.
From the opening pages of Merle’s Door, it is apparent that it has been written from a perspective and in a style different from that of other recent dog books—more aligned in its naturalistic narrative to Rick Bass’s masterwork, Colter: The True Story of the Best Dog I Ever Had, than to Grogan’s Marley or to Bark’s own Lee Harrington Rex stories. Perhaps because Kerasote has well-honed skills as a nature and adventure writer (see his award-winning book, Out There: In the Wild in a Wired Age), he is able to examine in great detail his relationship with Merle by adroitly weaving canine natural history and behavioral studies in with his dog’s memoir. This is the major strength of the book. And luckily, he looks to the works of leading experts, including those familiar to Bark readers—Patricia McConnell, Mark Derr and Marc Bekoff—to inform the trajectory of his views.
As for Merle, he really is an extraordinary dog, one whose early taste of an independent life is only enhanced by teaming up with his “man.” This pairing is made easier when Kerasote stumbles upon the idea that what his dog most needs is a door of his own (hence the book’s subtitle). So, instead of Merle being reliant on Kerasote for basic aspects of life, including when to relieve himself, he can make those decisions himself. Since they live in Kelly, Wyo., a mostly fenceless and open environment, Merle is able to take full of advantage of his freedom and the trust that Kerasote has in him. As the author notes, “The activities he enjoyed were unstructured and self-motivated—he was able to undertake them, break them off, and resume them according to his own schedule.” To explore his world, to make his own choices—certainly a life that would be the envy of most dogs (and controversial to some dog lovers)!
The author has a firm grasp of what was important in his dog’s life and how important this relationship becomes to the life of the author himself. This book, with its “I am my own dog” hero, establishes a new benchmark in the memoir field. Merle’s Door is a compelling, insightful and tender story that opens new doors into the understanding of the nature of dogs.
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Who said you have to sacrifice style for functionality? Definitely not Kurgo. Kurgo’s sturdy Newport Seat Covers are everything you and your pooch need to travel in clean, comfortable style.
The easy-to-install covers keep your original car seats in perfect condition, while extra storage pockets help to organize all those other travel must-haves. Did we mention that the covers are waterproof and machine washable? Coastside romps here we come! Available for bucket or bench seats, price $40-$50.
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