Let me start by saying that I love you. No matter what else becomes true in the chaos surrounding my leaving, my feelings for you will remain. There is no force on or above this earth that could shake you from my heart.
The world of people is complicated. It’s not just about who smells nice or is easy to get along with. Even people with wonderful personalities and exceptional smells aren’t always made for one another. Things change. Souls evolve. Challenges emerge. People meet, connect, intertwine and separate.
I began doing sketchbooks in a little 3.5 x 5 inch journal about six years ago. I was already doing to-do lists to keep track of all my nutty daily tasks, and I decided to try to do a painting next to my lists every day if possible. As an art director, turned illustrator, turned art director, I missed painting and knew I’d need to get back in the habit by doing it regularly. I would often start painting with no idea what it was going to be. Buster & Babe, my adopted dogs/children are always by my side in the studio, and are featured often in my drawings and task lists.
The painting depicts a boy and his dog in a style that has become known as American Regionalism. It is signed “Benton” for Thomas Hart Benton, the movement’s greatest practitioner, best known for his murals embracing the populist idealism of pre-WWII America. On this painting’s reverse side is inscribed “For T.P.’s birthday/11 years old/From Dad.” The painting depicts the artist’s son, T.P. Benton, and his beloved dog, Jake.
One of the most important factors in successful animal adoptions is the first impression. In today’s world, people are often introduced to adoptable animals through photographs—online, on flyers, in newspaper ads. An eye-catching portrait and compelling bio can make a world of difference and be the first step in finding a forever home. Taking good photographs of shelter animals is an important way to volunteer your time and talents. Amateur or professional, the tenets of a good portrait remain basically the same—capture the subject’s personality in the most positive light.
The first issue of what would become The Bark came out in 1997, which makes this our 19th year. It’s hard to believe we’ve lasted this long. In the beginning, Bark was a humble community newsletter drumming up support for an off-leash area in Berkeley. We had no intention of transforming it into a full-fledged magazine.
On our cover is Coffee Bean, whose portrait was taken by Sophie Gamand, a photographer who sees dogs differently. For an example of Gamand’s unique viewpoint, consider her series Flower Power: Pit Bulls of the Revolution. Her pictures of smiling, solemn and saucy Pit Bulls, their heads adorned with colorful crowns of flowers, suggest that we reconsider what we think we know about these sturdy dogs.
JD Souther is a card-carrying member of the Songwriters Hall of Fame, inducted in 2013. Instrumental in shaping the sound that became known as country-rock in the 1970s, he has also contributed to the American songbook by penning such classics as “Best of My Love” and “Heartache Tonight” (both for the Eagles) and “Faithless Love” recorded by Linda Ronstadt.
Laurie Anderson is a visionary artist and a pioneer in electronic music as well as a marvelous storyteller. She employs her voice, with its songlike phrasing (as in her 1981 hit single “O Superman”), along with instruments—some of which she invented—video and other acoustic props to weave her tales.