“As a matter of fact, I’ve always had these funny occasions where you run into people that you talk to a lot at the cemetery—you meet them somewhere … we were down at Granny Killams when it was open one night and this woman came over and said, ‘Al, how are you? how’s the dogs? how’s all this?’ and I was with a bunch of friends and I thought, ‘And this is …,’ and I realized I had no idea, it wasn’t that I had forgotten her name, it was that I’d never known her name. I knew her dog … I mean, I had no idea. And, this was not somebody that I just knew very casually, this was somebody that I probably walked with three or four mornings a week. But you always find you know a lot more dogs than you know people, which, I think, says something about who’s worth knowing anyway.”
Even today what strikes me as amazing about the cemetery is that there are people here, people who show up twice a day and see other people here twice a day for years and many of them just don’t know each other’s real name, let alone what the other does for a living, or dreams of at night, or loves or hates. They just know each other’s dogs’ names. So when they refer to one another, they might say, “Circe’s mom said Milk Bones are full of preservatives, which is why she cooks her own.” Or when they bump into each other downtown Christmas shopping, they’ll say, “Ellroy’s mom!” and then when nothing’s left to say, say, “Uh, how goes it?”
Was this intimacy or a complete lack of intimacy? Sometimes it felt like both at once. You had the warmth of intimacy and the comfort of hiding behind your dog. And yet every day you saw people at their most naked, talking baby-talk to their hounds, kneeling to pick up poop. I asked my friend Julie, Reuben’s mother, about this.
“I think I really get a sort-of window into people’s … well, into people’s souls. You watch people very contentedly walking around, throwing the ball, interacting with their dogs or totally ignoring their dogs, and going at their own pace and every once in a while yelling for their dog and ….”
Here’s Al again: “I mean, I really judge people by how they behave toward their dog. When I see people hit a dog, I’m really sort of appalled and amazed that you would do that.
“I mean, I know who really, really likes their dogs and who doesn’t. I know people who’ve got trophy dogs and people who’ve got the scruffiest, ugliest dog, but they really, really love that dog.”
I think it was the love part that kept me going back to the cemetery. And then it became my social hour, my escape, where, more often than not, I’d find Jeff and Keana. The minute Jeff realized I was a writer he went to the library and over the course of a week read everything I’d ever written. And then, to my horror, wanted to talk about it. And he did this kind of thing with others, too.
When the leaves began to change during my first October in the West End cemetery, Jeff was already talking about a Christmas card he was planning—a photograph of Keana and himself. He brought it up obsessively, about how Keana was going to have a haircut and shampoo and have her nails clipped, and how he had arranged for a photographer, and how they were scouting locations. There were ups and downs in the saga as it played out over weeks—a good location that might not work out the day of the shoot if a nor’easter hit, the need to time everything just perfectly so that Keana would leave the beauty parlor and then immediately sit for her picture before she could come back to the cemetery and get muddy.
In retrospect there were little clues even then that something strange was going on with Jeff. While he said he owned a truck, I only saw him at bus stops around town. And the scuba-diving … later when I called various outfits in Portland, no one had ever heard of him. In the end, he had the photograph taken at Sears, he and Keana in the stiff, unsmiling pose of a Civil War-era husband and wife, he in his familiar blue sweatshirt hulking behind Keana who was perfectly coifed. He was beaming when he handed the Christmas card to me, literally beaming.