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A brindle-furred Pit Bull is one point of a complex, mid-life love triangle in Bim Angst’s contest-winning story  “Village Dogs” (The Bark, April/May 2010). In the piece, a man and a woman stutter-step toward one another, in large part, through their feelings about the dog. The result is an authentic and poignant look at how people—often aided by their canine co-pilots—come together. On the eve of her debut in The Bark, Angst, who lives in Saint Clair, Penn., and teaches at Penn State Schuykill, answered a few questions about writing, dogs and writing about dogs.
TheBark.com: Where did “Village Dogs” begin—with the relationship or with the dog?
Bim Angst: Actually it started with a place and a gesture—a walk along a river with my dog and a friend who pointed something out. An image stuck in my head and felt rich with possibilities. I tend to think visually first. Then I have to work and re-work words to match and then build on what I see in my head. There are many revisions until something feels right, but usually the initial image is clear and constant—as it was for “Village Dogs.”
It sounds like the character of Anya Graceen is based on your dog Graciella, has she shown up in other stories?What about your other dogs? Why write about dogs?
Grahtzi is a particularly pleasant and expressive dog, and because she’s mostly Pit Bull and yet very sweet-tempered, she attracts attention. It helps that she’s pretty comical too. Grahtzi really does get “petting drunk” and falls over when her butt is scratched. Everybody smiles when she does that! How could I not use that?
My other dogs—the two yellow boys currently with me and beloved earlier dogs, too—show up often in my stories. I hope they become characters in their own right, but since most of my fiction is realistic, they remain, I hope, real dogs doing real dog things.
I write about dogs because they are so much with me. My senior boy, Beau, has quite literally spent more time with me than any other creature on earth—and that includes my children. The dogs are with me almost every moment I’m not out working or riding my bike. How could I not write about dogs? Dogs are naturally engaging, and they’re such lovely counterpoints to the weaknesses and foibles of human characters.
Do you have a favorite dog character in a novel, story, or movie?
Rich Bass’ Colter springs to mind pretty quickly. And one of my easy pleasures is looking at the Smiling Dogs pages  in The Bark.
Who is your favorite writer?
My son, Charlie Manis, is the best writer I read frequently. I feel honored when he lets me read his work in progress. He’s a tremendously talented writer, very sensitive to language, gesture, context, nuance. He’s also the hardest working writer I’ve ever met. I’m working very hard in a friendly family competition to beat him to book publication!
Have you ever entered a fiction contest before?
I’m 54 years old now and have been writing seriously since the age of 15, when I got my first job writing newspaper features (although I wrote radio ad copy before that). Yes, I’ve sent stories to many contests—and poems and essays. Rejection is part of writing; one can’t take it personally or let repeated rejection lead to despair. Send it out, forget it, and keep writing. It’s very rare in a writing career, in a writing life, to have a story as warmly received as “Village Dogs” has been at The Bark.
Photo by Mike Piontkowski