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Musicians and dogs are a lot alike. Both operate on instinct and feeling. Both have finely tuned ears that can pick up good and bad vibrations. And both make the world a better place by helping others feel a little less lonely.
With that in mind, it makes perfect sense that there’d be mutual appreciation of the musical kind. While dogs compose their own spontaneous tunes—“I Haven’t Seen You in Forever!” and “Scratch My Chin Again” are two favorites—musicians have been a little more considered in their creations over the years.
The story of dogs in popular music began in 1853, when American songwriter Stephen Foster  was given a beautiful English Setter, whom he named Tray. Foster so loved his pal that he wrote “Old Dog Tray,” a sentimental ode that became the blueprint for bow-wow ballads from then on.
In the early 20th century, dogs were roving through Tin Pan Alley in hits such as “Where, Oh Where Has My Little Dog Gone?” and “Fido Is a Hot Dog Now ,” a 1914 song about a naughty pooch who ends up in Hell.
But the modern era of pup pop didn’t begin until the mid-’50s when Patti Page wondered about the price of the doggie in the window and Elvis Presley complained about a hound dog on a cryin’ jag. Since then, artists from the Beatles to Neil Young to Red Hot Chili Peppers have done the dog. To celebrate this genre, here are the stories behind ten purebred faves.
“Martha My Dear ”
Later, McCartney revised his take on “Martha,” calling it a song about “a muse.”
“I mean, I’m not really speaking to Martha. It’s a communication of affection but in a slightly abstract way—‘You silly girl, look what you’ve done.’ Whereas it would appear to anybody else to be a song to a girl called Martha, it’s actually a dog. And our relationship was platonic, believe me,” he added with a chuckle.
Shannon came into Gross’s life via his marriage in the mid-’70s, about the same time he was opening tours for the Beach Boys. Gross and Carl Wilson bonded over Irish Setters, as Wilson’s had recently been killed by a car.
To this day, Gross still gets letters from fans who find solace in the tender-hearted song. “Whenever somebody loses a dog, they hit henrygross.com ,” he says. “I just e-mailed a guy who lost a dog—and this may sound corny, but I said, ‘Whenever a great dog dies, I see it as an opportunity to save another poor dog, to share your love with a soul nobody wants.”
“Hound Dog ”
“We wanted to write something really raunchy,” says Jerry Leiber of the song that became Elvis’s most successful single. In its original incarnation, Leiber says, the song was “about a woman kicking a moocher out of her house. He wasn’t literally a hound dog and he didn’t chase rabbits.” A few years after Big Mama Thornton’s original recording, Vegas lounge act Freddie Bell & The Bellboys did a comedic version of the song. They changed the mooch to a pooch. Elvis loved this version and basically copied it. Leiber says, “The lyric change bothered me, and I wasn’t crazy about Elvis’s version at first. But a couple of years later, it kind of grew on me.”
On June 5, 1956, Elvis caused a national sensation with the hip-shakin’ rendition of “Hound Dog” on The Milton Berle Show. A month later, a supposedly contrite Presley did the song on The Steve Allen Show. Dressed in a tuxedo, with instructions to curb his pelvic movements, he sang to a Basset Hound outfitted in a top hat. “That was Steve Allen’s humor,” Elvis said. “To me, it was about as funny as a crutch.”
“How Much Is That Doggie In The Window? ”
As for Merrill, when he tried to write more legit music, his novelty tune dogged his trail. In 1957 he said, “When producers heard I was the guy who wrote ‘Doggie in the Window’ they wouldn't even listen to my songs." He eventually broke through on Broadway as a lyricist for Funny Girl, writing the hits “People” and “Don’t Rain On My Parade.”
Recently championed by Bob Dylan on his XM show, Theme Time Radio, “Dog” is enjoying a resurgence. Dorough, 80, has been getting occasional requests for the ultra-wordy tune at his live gigs. “I can perform it with two weeks notice,” he laughs.
“Snoopy vs. the Red Baron ”
But Gernhard loved it. So much that he landed the Guardsmen a record deal. Three weeks later, the single was soaring like Snoopy’s Sopwith Camel up the charts. While Peanuts author Charles Schulz ended up taking a sizeable cut of the royalties (Gernhard didn’t get permission to use Snoopy), the Guardsmen pushed out a litter of follow-ups—“Snoopy’s Christmas,” “Snoopy for President” and in 2003, “Snoopy vs. Osama”—but never recaptured the glory of the first hit.
“Me and My Arrow ”
Everything except round-headed Oblio, who is banished to the pointless forest along with his faithful Arrow.
“Old Shep ”
When Red performed the song, grown men were known to weep when he reached the line about how Shep “laid his old head on my knee.”
In 1945, a 10-year old Elvis Presley made his first public appearance, singing “Old Shep” at the Alabama State Fair and winning a $5 prize.
Covered by many artists, including Johnny Cash and Alabama, this classic ballad was also the indirect inspiration for Old Yeller.
“Everything Reminds Me of My Dog ”
“I learned a lot from my dog,” Siberry says. “I never would’ve been so tuned in to the minute nuances of the everyday light, except I had to walk him all the time. Now that I don’t have a dog, I notice how much less connected I am with the outdoor world.”
“Old King ”
When Young’s bus pulled off the highway for a pit stop, Elvis hit the ground running, in search of olfactory pleasures. Young quickly lost sight of him. Then there was a burst of drenching rain.
Young knew that even with his super-sniffing nose, Elvis wouldn’t be able to find his way back. A search was fruitless. Neil had to make the next gig, but couldn’t bear to leave the dog behind. So he put down his old “lucky shirt” and a bowl of chow by the side of the road. Once he reached the venue, he sent a roadie back to the spot, and there was Elvis, ready and wagging.
Photo courtesy of Henry Gross