Today, actor David Duchovny (The X-Files, Aquarius) launches the “Lick My Face” campaign to support the nonprofit organization, Target Zero. In a new online video, Duchovny’s rescue canine, Brick, devours the actor in licks—whereby for every lick, Duchovny offers to donate at least one dollar to the zero-kill cause (to boost the lick count, peanut butter is applied). Duchovny challenges all of his social media followers, as well as fellow celebrities, ex-wife Tea Leoni and X-Files co-star, Gillian Anderson, to do the same. It’s a playful take on the hugely successive viral Ice Bucket Challenge phenomenon that benefitted ALS a few summers ago.
All silliness aside, Duchovny is committed to zero-kill and helping shelters meet the challenge. He is an active board member of the Target Zero non-profit and a longtime shelter advocate. “Target Zero is showing a clear path to end the euthanasia of adoptable shelter animals through its proven-to-work mentorship model. We’re currently in ten Fellow Cities, but I’d like us to be in 20, 30, 40 more as quickly as possible to keep saving more and more lives. My hope is this campaign will get the word out far and wide that we're here to help,” enthuses Duchovny.
Co-Founded by social entrepreneur and goodwill activist Tracey Durning, Target Zero provides comprehensive strategies to decrease shelter intake and increase live release rates to achieve the 90+% shelter save rate. Launched in 2013, Target Zero has already gotten two cities to zero; Waco, Texas and Huntsville, Alabama, with Brevard County, Florida set to get there by October 2016. The organization currently works in ten Fellow Cities. “No kill” is defined as 90% or more of cats and dogs getting out of a city’s shelters safely. 10% or less is accounted for by animals that will die from illness regardless of medical treatment and/or large dogs with nonrehabilitative aggression issues.
Visit lickmyface.org to get involved. The challenge is simple and easy, plus fun for the licked and lickee!
Lick My Face Guidelines
News: Karen B. London
Dogs always rule!
Well, the Super Bowl was nearly ruined for me this year. No, I’m not a Carolina Panthers fan, so the fact that they lost is not my issue (although I do feel for them.) The real problem is that there were no Budweiser puppies this year in the commercials. Those ads are always my favorites, and I missed them.
Perhaps I should consider myself lucky, though, because there were some dog commercials that I really loved. I think my favorite was the one featuring Dachshunds. The “Wiener Stampede” shows dogs dressed in hot dog costumes running towards Heinz condiments as we hear the lyric, “I can’t live if living is without you.”
I know it has been criticized for implying that we are going to eat dogs, but I didn’t take it that way. I loved seeing the dogs running, especially because they looked so healthy and energetic. The puppy was beyond adorable, and when one of the dogs runs by looking straight at us, it’s hard to resist. The reunion with the people and the dogs showed real love and joy. In other words, this commercial had a lot of what I look for in canine Super Bowl ads.
I also liked the commercial with dogs trying to outsmart the manager at a grocery store to get themselves some Doritos in “Doritos Dogs.” Though the dogs were tongue flicking and seemed a little anxious, which was unfortunate, I did like the theme of very different dogs working as a team to accomplish their goal.
I’m including in my canine commercial picks Honda’s ad, “A New Truck to Love” even though the sheep are arguably the true stars, singing Queen’s “Somebody to Love.” Since the Border Collie makes several appearances and does some great voice work, I still consider it a dog commercial, and a charming one at that.
Did you have a favorite canine Super Bowl commercial this year, even without an appearance by the Budweiser puppies?
Irresistibly amusing portraits of wet dogs
On our cover is Coffee Bean, whose portrait was taken by Sophie Gamand, a photographer who sees dogs differently. For an example of Gamand’s unique viewpoint, consider her series Flower Power: Pit Bulls of the Revolution. Her pictures of smiling, solemn and saucy Pit Bulls, their heads adorned with colorful crowns of flowers, suggest that we reconsider what we think we know about these sturdy dogs. An award-winning French photographer who has become well known as an animal advocate in her adopted hometown of New York City, Gamand will be celebrating the release of her first book, Wet Dog, this fall. Recently, she shared some of her observations and experiences with us.
BARK: Are dog-rescue groups active in France?
Gamand: Absolutely. Abandonment is somewhat less of an issue there than it is in the U.S., though. I once calculated that the ratio in France is about one dog per 660 inhabitants will be abandoned each year, whereas in the U.S., it’s one dog per 82 inhabitants. Thanks to my Wet Dog book, I was able to help the SPA (Société Protectrice des Animaux), the largest and oldest animal welfare and rescue organization in France. They fell in love with my wet dog photos and asked if they could use them for their nationwide adoption campaign this October. I was so proud to be able to help animals in my home country! (I even photographed wet cats for them, which was quite an experience!) The campaign ran in France, in the Paris subway stations and in SPA’s 60 shelters. I was told by their team that their adoption event was hugely successful, thanks in part to the campaign, which touched thousands and thousands of hearts.
In Wet Dog, you write that one of first things that happens to a dog at a shelter is a bath, and that marks the beginning of the dog’s new life. Is this why you decided to do the wonderful Wet Dog book?
My “Wet Dog” series was born out of a happy accident. I was at a groomer’s, working on a personal project about grooming and the hair-cutting process. Then the groomer started bathing the dogs, and I could not take my eyes off them! I’m not sure why I felt that intense connection with wet dogs. They make me laugh, but most importantly, they make me feel guilt, compassion and immense empathy.
Suddenly it hit me. That was exactly how I felt when bathing rescue dogs. It was interesting to explore those memories and feelings, and to realize how important bathing had been for me and for my relationship to rescues. I really believe that for the dogs, the bath is an initiation process, almost a form of baptism. They enter a new life, the abuse and the neglect and the suffering they experienced are washed away, and they become new. It’s a poignant and beautiful moment to share with a rescue.
You have volunteered a great deal of time taking portraits of shelter dogs. How important do you feel it is that their personalities are captured through good photography—does it make them more adoptable?
It is absolutely essential! Good photography helps in so many ways: It gives more exposure to the dogs on social media, and by extension, it gives more exposure to the shelters as well. It also brings more adopters to the shelters and creates more connections between people and shelter dogs.
I want my photos to be amazing, beautiful, exciting, fun, touching. I want people to see beyond the “shelter dog” aspect. I want them to witness the personality and uniqueness of these dogs. The photos, like the baths, are also a rite of passage. I want to give the dogs their dignity back. My photographs have been responsible for many direct and indirect adoptions— for people falling in love with a particular dog, or feeling more confident about getting a shelter dog. The photos remind us that these dogs could be our best friends. Their happy faces are so inviting.
How did you come to work with the Sato Project, and why do you say it was life-changing for you?
I met Chrissy Beckles, the project’s founder, in 2011. At the time, I was looking into volunteering with a shelter or a rescue group, but found many closed doors. Chrissy welcomed me and let me do my thing. Over the course of two years, I traveled extensively with her, documenting her work in Puerto Rico—specifically on Dead Dog Beach, an infamous dumping ground.
The work I did with the Sato Project profoundly changed me, personally, professionally and artistically. The first time I stepped foot on the island, Chrissy and I picked up a dying dog. He was beautiful and heartbreaking and in such a horrible shape. He died in Chrissy’s arms, and I was there with my camera, taking the photos and videos that would help Chrissy spread the message about her important work.
I called the dog Angel, and I captured his last breath with my camera. I still remember the way he looked at me; for a split second, I thought he was smiling, and then he expired. He was loved so much during the last few seconds of his life. This horrible experience bonded me with Chrissy and her organization in ways I can’t explain. It also bonded me with rescues and shelter dogs across the world. In many ways, we created dogs, and we are responsible for them. Teaching compassion toward all beings is such an important part of our humanity.
What do you hope people come away with from your Wet Dog book?
Wet Dog is meant to be a fun book. I want to celebrate the unique relationship we have with our dogs. I also hope to use it to spread simple messages, such as #AdoptDontShop, which is dear to my heart. People need to stop buying puppies in stores or off the Internet. One out of three of these puppies will end up in a shelter within their first year.
I also want to encourage people to look at shelters and help in small ways. For example, did you know that shelters are always in dire need of gently used towels and linens? It’s a great way to help, and to make shelter dogs’ lives a little more comfortable while they wait for their forever homes. Bathe your doggie, then wash the towels and donate them to your local shelter! Wet dogs uniting for shelter dogs: I like that idea.
Dog's Life: Humane
Founder Deirdre “Little Darling” Franklin discusses her work with Bark’s Sophie Cox
Pinups for Pitbulls (PFPB), a nonprofit founded in 2005, works tirelessly to end the unnecessary killing of Pit Bull-type dogs and to educate people about Pit Bulls and the flaws of breed-specific legislation. Every year, PFPB also releases a stunning calendar that pairs women with darling Pit Bulls, a feel-good purchase that harks back to the first half of the 20th century, when these dogs were viewed as war heroes, and pin-ups were all the rage. In October 2014, PFPB will publish its first book, Little Darling’s Pinups for Pitbulls, followed by the nonprofit’s 10th anniversary calendar in 2015.
Deirdre “Little Darling” Franklin is PFPB’s founder, but she’s more than just a dog lover: she’s an educator, hero and a determined voice for Pit Bulls everywhere. Bark had the pleasure of interviewing Deirdre to discuss PFPB’s work, the upcoming book and misconceptions regarding Pit Bull-type dogs.
Bark: Who are the dogs in your life?
Deirdre Franklin: My first Pit Bull-type was Carla Lou. I adopted her when she was one and had her until she was 18; she passed away in August 2012. She was the true inspiration for Pinups for Pitbulls—we often use the hashtag #itsallforyoucarlalou.
I lost my second of four dogs, Lexi Doodle, this past year to hemangiosarcoma. She lived to be 14 and was a Lab/Shepherd mix.
I currently have Zoe, a 14-year-old Harrier mix, and Baxter Bean, a Pit Bull-type from a dog rescue in New Jersey. He was my foster failure when he was five months old. His back is covered in scars from a chemical burn or having been set on fire. He latched onto my heart, and I couldn’t let him be rehomed; now he’s about nine. He is on the cover of our 2015 calendar and on the cover of the book, covered in kisses.
B: What sparked your interest in Pit Bulls?
DF: In the mid ’90s, I fell in love with a shelter dog who happened to be a Pit Bull-type, only to find out that I could not adopt her because she was a Pit Bull and was therefore sentenced to die. Despite the efforts I [made] to save her, the shelter denied my interest in her and told me it was simply policy. I did everything I could to save this dog, but unfortunately, they euthanized her. I worked with Chako, a Pit Bull rescue, to try to pull her and they offered to give me a chance. I adopted Carla Lou through Chako’s director, Dawn Capp, and the rest is history.
B: What sort of work does PFPB do?
DF: We step out of our comfort zone by displaying at comic and tattoo conventions. I also speak regularly at Amazing Pet Expos about breed-specific legislation and dog bites, reaching the unconverted and the ignorant in these audiences. It’s an honor to speak on behalf of dogs.
I also interview children who [express interest in] being Pinups in Training (P.I.T.), a term our volunteer Nancy coined. Many of these children are already passionate voices for the dogs, and want to share their love by training to be better advocates. (I started out as a child advocate 25 years ago, and I haven’t stopped.) We encourage these kids to educate their peers through their own lens.
B: Does PFPB collaborate with other dog rescue organizations?
DF: We promote any rescue that requests our assistance through our social media pages, especially Facebook, where we have over 340,000 followers. Many advocates trust our page as a resource because they know we always fact-check and use science-based information to promote dogs, rather than just emotional appeals. On average, we’ve gotten 40 or more dogs adopted per month by cross-promoting them on our page. This [statistic] is based on the people who take the time to update us on successful outcomes. We are confident that the number is even higher.
B: How is the calendar put together?
DF: It’s a six-month process. We begin by hosting an annual model call, though we look for any woman who cares about ending breed-specific legislation and advocating for dogs. We select our calendar girls through an in-depth voting process (this includes 10 judges, [women] who have been in our calendar in the past and have a strong sense of what we look for), then contact each girl to let her know we’d like to feature her. We set up shoot dates, and all of the models travel to Philadelphia to Celeste Giuliano Photography. We do everything once they arrive—hair, make up and so forth—and Unique Vintage, our clothing sponsor, provides costuming. After the shoot, we lean on these gals to help promote our cause and calendar through their own social networks.
B: What will readers find in Little Darling’s Pinups for Pitbulls?
DF: We broke the book into sections. One of my favorites is “Hero Dogs”—we feature many amazing dogs like Hector (former Vick dog), Wallace (Flying Disc champion), Handsome Dan, Oogy and many therapy dogs as well. It’s a great section of the book because it showcases the various ways these dogs are making a difference in their communities.
Another section tells Carla Lou’s story and why PFPB exists today, while another gives educational resources for being a better advocate. There are also plenty of pages of gorgeous photos from our calendar shoots.
B: What inspired you to use pin-ups for your cause, other than the great alliteration? What’s significant about the retro aesthetic?
DF: During the first half of the 20th century, American Pit Bull Terriers were considered war heroes, and graced the cover of Life magazine; they were symbols of loyalty and tenacity. The pin-up style grew out of the same period (WWI and WWII). It made perfect sense to me to marry these two in a classy and eye-catching manner. Also, I was doing a lot of pin-up and alternative modeling before I started PFPB, and garnered an audience fairly quickly through the aesthetic of being a modern pin-up girl. We make sure our calendar is office-friendly and PG-13.
We love showing these dogs not only as the individuals they are, but also as the often goofy and fun characters we know them to be. When we host tables at the various events we attend, people are drawn in by either the pin-up or the dog aspect of our booth; many will walk up saying, “You’ve managed to pair my two favorite things—pin-ups and Pit Bulls!” We love that.
We are here to break down stereotypes, and we do so in a fact-based, non-emotional and well-educated voice. Being a pin-up girl is a bonus, but it is the smallest part of our approach. It just gets the most attention so that we can educate on behalf of dogs. We advocate for all dogs, not just Pit Bull-types.
B: How would you characterize the media’s portrayal of Pit Bulls?
DF: I can honestly say that, after starting PFPB in 2005 and looking back from where I stand now, we have come a long way, and so has the media. There is a lot more balance overall in the portrayal of these dogs, and in the reporting. There are still many ignorant reporters, and many who prefer to sensationalize, but there is a healthier balance of well-informed journalists who present the full story.
I finished my graduate degree in public policy and wrote my thesis on breed-specific legislation, and whether or not it keeps people safe. The answer is no, but in doing my research, I found about 18,000 news articles that said yes and not a single peer-reviewed study that could prove it worked.
The reason is, all dogs have teeth and we are responsible for their behavior. The only dogs making headlines are those who have been abused, neglected and/or chained. It’s the same story time and time again. We can do better on behalf of dogs, and PFPB will not quit until that day comes. Pit Bulls are just dogs, like any other breed of dog, and they are individuals before anything else—they need love, shelter, food and water.
B: What can Bark’s readers do to help remedy the misconceptions surrounding Pit Bulls? Are there ways for them to get involved with PFPB in their own communities?
DF: Start by thinking of Pit Bulls as individuals. They are special in that we love them as members of our families, but they are otherwise simply dogs and are not inherently different. We need people to understand that they are not an “other.” They want what your dog wants. Some are scared, some might require some extra help, but that is true of any dog. They rely on us. We also promote the use of non-force-based training— such as positive-reinforcement methods. We want dogs to feel safe so they can be their best selves.
We have an open-door policy for volunteers—we cannot finish this without them! Remember, we do more than make a calendar each year. We are on the road almost every week throughout the year and need advocates everywhere. Our calendar work is important, but our daily street-team volunteers and advocates hosting booths are doing the bulk of our work.
To get involved or to learn more, visit pinupsforpitbulls.org.
JD Souther is a card-carrying member of the Songwriters Hall of Fame, inducted in 2013. Instrumental in shaping the sound that became known as country-rock in the 1970s, he has also contributed to the American songbook by penning such classics as “Best of My Love” and “Heartache Tonight” (both for the Eagles) and “Faithless Love” recorded by Linda Ronstadt.
Never one to rest on his laurels, the singer-songwriter continues to compose memorable songs from his Nashville home. As a performer, he recently toured in support of a new album, Tenderness (Sony), and can be seen in the recurring role of producer Watty White on television’s Nashville.
Despite his busy schedule, there’s nothing Souther would rather do than hang out with his dogs. The Bark caught up recently with John David and talked … you guessed it … dogs.
What is it that you like about dogs?
I like everything about dogs. I love their society, their immediacy, their ability to make anything an adventure. Dogs don’t miss an opportunity to have fun, to find out, to live. I also love the way they feel and smell. If I have to go to a party at the house of someone I don’t know, I look for the dog, or dogs. That’s where you’ll find me: hanging out with the dogs. No dogs, and I usually leave early.
Tell us about your dogs.
I have two loonies we affectionately call the Bruise Brothers, named thus for their incredible rough-and-tumble play, though they are, in fact, 50-pound lap dogs and would abandon their
When we brought them home from the two angels who had found them by the roadside in terrible shape and nursed them back to health, I had a beautiful Irish wife and a six-year-old girl. We built this farmhouse so that the girls would want to be here and not someplace else. It worked very well, but that meant that as the Bruise Bros grew, they were gently coerced to suffer every whim of an imaginative young female community, including but not limited to: shoes, hats, tee shirts, ties, capes, dresses, jewelry, sunglasses and sometimes various combinations of halters and leads that were only necessary for the little girls’ rich imaginations of them as horses.
For all this girlish invasion of their masculine nature, the brothers were as delighted as could be for the attention, and ne’er a growl was ever heard.
It was announced that the Eagles are being honored by the Kennedy Center next year — as a major contributor to their songbook … congratulations. Were there any dogs hanging out with you folks in those early days of Southern California music making?
The honor is well deserved, congratulations to the guys. They certainly have added considerable wealth to the repertoire. The fact is, we were all almost on the move all the time in those early days. The only dogs in our little gang of musicians I can recall with any clarity are two. One was a small white dog that Glenn (Frey) and Janie, his first wife, had named Teeny Turner. She sounded bigger and who could blame her.
Also, Linda (Ronstandt) had two magnificent Huskies or something like them, when she lived in Brentwood. I was fond of one named Molly who voiced her objections to Linda leaving town by eating the couches, a form of protest with which I was to become later familiar on my dogs Murphy and Babe’s first day alone in the house, where they reduced a couch, daybed and several expensive cushions to a carpet of feathers and fluff. I opened the door to a first floor of shredded bedding and found two black dogs resting comfortably, one with feathers still clinging to his snout looking as innocent as possible. Smiling.
Have you ever written dog-centered songs, or lyrics?
I’ve written three songs about dogs, one for each of the Hollywood Hills dogs and one for the Tennessee Brown Hounds. Their place in my musical process is the same as it is in my life: a reminder to (a) not take myself too seriously and (b) pay attention!
How about dog stories—have any good ones to share?
Here’s one that may give you a sense of the humor and boldness that I find irresistible in canines.
As we were building the Dog Ranch, I leased a beautiful Robert Byrd house on Hollywood Boulevard just west of Laurel Canyon so I could be on-site [in nearby Nichols Canyon] every day during construction. The back yard was small, so most days, the black dogs came to work with me. We were, after all, building our dream house.
On the few days when they were left behind and outside, escaping from the yard behind the Byrd house became a game, and a fairly regular source of amusement for Babe. I kept adding fencing and difficulty, including, finally, a spiky pile of lawn chairs at the only conceivable escape route. Alas, she seemed to rise to every challenge, which included (eventually): pulling the lawn chairs down and scattering them, pulling the fence over, scrambling up a near-vertical dirt hillside, jumping on to the second story of the house, down to the first-story roof, then down to the top of the carport, and finally onto the top of whichever vehicle was closest before landing on the lawn.
I often came home to find Murphy, who was not quite tall enough to run the obstacle course, barking hysterically from behind the garden gate and Babe sitting serenely on the front porch, waiting for dinner. Smiling.
We hear that you’re a good friend to Best Friends Animal Society; how did you get involved?
I met Francis and Silva Battista in the late ’80s just as Babe was convincing me to slow down a bit and enjoy my lucky life. I loved what they were doing at Best Friends. Then I went up for a visit and met most of the founders and staff, wondrous folk who I am hoping will someday swap me a nifty little retirement perch in one of the most beautiful places on earth for considerable publishing interest and some
We’ve taken dogs to the Sanctuary together, I loaned them an SUV/ambulance one year in their early days, played a show recently for the donors at Discovery Weekend, give what I can, talk about them every chance I get
They have been salvation for thousands of animals, a fair number of them human, and are methodically helping to create no-kill cities wherever possible. When we would lose one, we used to say (to console ourselves), “Well, maybe you can’t save them all.” Wrong! Now our logo proudly challenges everyone: “Save Them All!” The entire community at Best Friends Animal Society is a model of selfless stewardship and joy. Why wouldn’t
Do you think there’s a reason so many musicians have special connections with dogs?
Maybe musicians, painters, writers, all artists need more time away from conversation and the clanging immediacy of modern life. I think people need quite a bit of it for sanity. Dogs—in fact, most animals I have met—are content to simply live. Just be here. One of my most treasured animal friends is a horse I’ve known for 20 years, but don’t ride. We just … I don’t know. We just hang out.
Children? Animals? They’re our very best things, I think.
We are animals, after all, and when we discriminate against any one, we are diminished.
What do you do these days when you hang out with dogs?
Nothing. Anything. Whatever they want to do usually turns out to be a good idea for all of us. Thanks for asking me to be in your wonderful magazine, which I own all the way back to your big format first issue!
News: Karen B. London
French Bulldog steals the show
For many people this week marks the end of the holiday season. Others consider the past few weeks the beginning of the season of Star Wars: The Force Awakens, which means that we are still in it. People in the latter category may have noticed that Carrie Fisher’s dog Gary is the darling of the Star Wars’ publicity blitz. Fisher has brought her best friend to many interviews, premieres and media events. Like his entertaining guardian, he does not disappoint. This interview with Carrie Fisher is a lot of fun, even if Gary does take a snooze in the middle of it.
Fisher is talented and funny, but what I like most about her is how much she loves her dog. She is clearly charmed by Gary and wants to spend a lot of her time with him. He is definitely relaxed during interviews, although not everything about the Star Wars world is as pleasing to him. For example, Fisher reports that he found the movie a bit too loud. Also, he is a bit unsure about BB-8, as you can see in the following clip, in which he barks and tongue flicks, but also offers what looks like a play bow.
Even if Gary does have to deal with the occasional droid, I think he is living the good life, thanks to Carrie Fisher!
News: Karen B. London
A new commercial puts forward this idea
A new commercial implies that being nice instead of naughty is not enough to entice Santa to give us gifts. In addition to being more angels than devils, we have to make sure that our homes smell pleasant so that Santa does not go right back up the chimney without delivering our presents.
This ad suggests that Santa finds the smell of dogs so disturbing that he cannot bear it. He can’t even handle it long enough to put Christmas gifts under the tree. This is nuts because we all know that in order to visit every household that celebrates this holiday in a single night, Santa can only allocate fractions of a second to each home. Surely, he can put up with air that has been infused with a canine scent for such a brief period of time. The alternative is to consider that Old Saint Nick isn’t as jolly and tolerant as his reputation would lead us to believe and that he finds canine odors truly disgusting. That’s really saying something, because this is a man who spends a great deal of time around reindeer, and they don’t exactly smell like roses.
I’m the first to admit that a certain “eau de dog” aroma can be a bit off-putting. I have had homes and cars that, due to the presence of dogs, did not compare favorably to the smell of, say, my family’s feet after a camping trip. Yet, I think that Santa is being unfairly accused of disliking the smell of dogs. I can’t help but believe that such a good and giving man who is used to being around animals loves dogs AND the way they smell. Still, I suppose it’s worth avoiding the risk of turning Santa away this year by cleaning and bathing our dogs—just in case. (And if Santa doesn’t appreciate it, perhaps your other houseguests will.)
Auction of Classic Painting Benefits Dogs
The painting depicts a boy and his dog in a style that has become known as American Regionalism. It is signed “Benton” for Thomas Hart Benton, the movement’s greatest practitioner, best known for his murals embracing the populist idealism of pre-war America. On this painting’s reverse side is inscribed “For T.P.’s birthday/11 years old/From Dad.” The subjects are the artist’s son T.P. and Jake, the family dog.
Last evening (November 18) the painting was one of more than 500 works from the A. Alfred Taubman collection auctioned at Sotheby’s in New York. T.P. and Jake was painted in 1938 and was estimated to fetch between $1.5M and $2.5M. After a flurry of bidding, it sold for $3,130,000. It was accompanied by the following notes in the auction catalog that included touching words by the artist describing the deep bond shared by his young son and his dog. Appropriately, the sale of this painting benefited the Sam Simon Charitable Giving Foundation, dedicated to saving the lives of dogs.
The present work depicts the artist’s son T.P. Benton and his beloved dog, Jake. T.P. was eight years old when his mother, Rita, found Jake on a farm west of Kansas City, Missouri. The Bentons adopted him as their family pet and he became particularly devoted to T.P. When Jake died in 1946 Thomas Hart Benton wrote an obituary for the dog, which appeared in the Vineyard Gazette and The Kansas City Times. In one passage Benton recalls an event which illustrates Jake’s special affection for T.P.:
“After three years had passed Rita took T.P. to Italy to visit her mother. This was a sad time for Jake. Up to now he’s given me little attention. Rita fed him and T.P. played with him. Of what use I might be he had little need to consider. I was just there, good enough to shake hands with occasionally but not important. Now, however, he clung to me and I took him with me on a long roundabout tour of the South which ended, after seven weeks, at the docks in New York were we met the boat returning his real master and mistress.”
“There was a high rail fence between the passageway for debarking passengers and the people who had come to meet them. I stood by this fence trying to catch a glimpse of Rita and T.P. in the crowd of voyagers. But Jake beat me to it. The chain leash in my hand twisted suddenly and before I knew it Jake’s full grown seventy pounds of muscle and tawny hair was soaring over the fence.”
“No one who saw the meeting of the boy and dog could ever forget it. The travelers and those who met them stood aside to watch the play of Jake’s ecstasy. They forgot their own emotions in this more intense one of a devoted animal. His yaps of joy sailed up over the arching girders to the high roofs of the dock and came back to pierce your heart. This was the high point of life and those who saw recognized it.” (The Kansas City Times, p. vi).
News: Karen B. London
The charming book you have to see
A man and his Bull Terrier, Jimmy Choo, became famous last year as a result of the art they created together. Rafael Mantesso is the brains behind the operation, Jimmy is the onscreen talent, and the results are captivating. These whimsical photographs are so appealing because the drawings around the dog so clearly take their inspiration from Mantesso’s best friend.
The art in this book records a highly advanced version of those games in which you have to make a drawing from a squiggle someone else makes for you. In this case, the squiggle is replaced by Jimmy Choo, and the man playing the game is as clever as he is talented.
Mantesso started this project on Instagram after his wife left him, leaving him the dog but little else. In his loneliness, the white walls and his dog became a muse to chase away the sadness. He began to draw around his sleeping dog and posted the pictures to Instagram. His following grew into the hundreds of thousands. Though Mantesso and Jimmy live in Brazil, people around the world have become interested in his work.
His book, A Dog Named Jimmy, contains 100 photographs of his work taken by a professional photographer, and they are exquisite. My favorite one shows Jimmy taking a shower, but everyone I know favors a different image. Is there one that you especially adore?
Maira Kalman’s new book, Beloved Dog (Penguin Press), illuminates her friendship with her first dog, Pete. Kalman, who movingly writes, “It is very true that the most tender, complicated, most generous part of our being blossoms without any effort when it comes to the love of a dog,” grew up being terrified of them.
Featuring her fanciful paintings and handwritten text, Beloved Dog details a life of love, loss and companionship. It also includes numerous examples of her work, including New Yorker covers and several of her Pete-inspired children’s books. As long-time fans of her delightful, quirky and just a bit offkilter work, we were particularly happy to snag some phone time with her recently. Following are highlights from our conversation.
Bark: Early in the book, you say that you are “besotted by dogs”—what a great term.
Maira Kalman: I used to be afraid of dogs, and that switch-over to realizing how important they are in my life and how completely besotted I am was a wonderful revelation and a great moment.
B: That discovery is pretty magical.
MK: It is, and it really does change the world. It opens things up in ways that were incomprehensible before. I don’t want to liken it to having children, but next to having children, it is that kind of relationship.
B: Tell us about Pete.
MK: I had always thought that if I got a dog, it would be a dog that jumped up— shpringeny—on all four legs, a scruffy kind of animated cartoon. And there he was. From the beginning, he was not only a beloved, beloved companion and an easer of sadness, but also a damn fine model.
B: Having a dog to guide you through the streets of New York must be a great entree into the world.
MK: Yeah, because when you have a purpose, which is “I am walking my dog,” you are already calmer and you have a companion. Of course, when you walk a dog, you have to add at least another half-hour to get to any destination because you meet people, the dog stops, you stop. You’re engaging in ways that you just didn’t do before. People who are walking their dogs usually are delighted to chat. It’s a friendlier world when you have a dog with you.
B: Can you talk about dogs as a subject matter for your paintings and books?
MK: Sometimes the dog is a human character and (of course) a stand-in for me, or a composite of me and other people. The dog is a conduit to emotions and humor, all those universal experiences. The other way that I work is to depict dogs as secondary characters, or digressions—my work is always about digression anyway. So, they populate the landscape the way people do, and contribute to the emotional quality of my paintings. They surprise me— they’re funny. The paintings are really observational journals of my life and the dogs who live in my world.
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