Photobooth Dogs is a one-of-a-kind collection celebrating the age-old bond between dogs and their people. Featuring happy and beloved pets in more than 100 portraits taken in photobooths over the last 80 years, these images are a testament to the devotion people have felt—and will always feel—for their dogs. Photobooth Dogs is published by Chronicle Books with an October 1, 2010 release date.
These vintage rarities are collected by Cameron Woo, co-founder and creative director of The Bark, the magazine of dog culture and purveyor of exquisite canine art. The majority of the photographs that appear in Photobooth Dogs are part of Woo’s personal collection. This sub-genre of vernacular photography was amassed from hours of culling through thousands of photobooth pictures, at flea markets, antique stores and online vendors. An invitation to Bark readers and collectors drew a handful of gems, including a three-frame strip showing photobooth inventor Anatol Josepho cradling his terrier (c. 1928) from the International Centre of Photography.
The photographs offer deeply personal self-portraits, a collaboration between machine and the sitter (human or canine)—and the unseen element of chance. The first Photomaton machines appeared in 1925, and for the first time in history, mechanical photobooths offered the masses an inexpensive and high-quality method for portraiture. Crowds lined up to pay their 25 cents and have their picture taken. As photobooth pictures soon became the favored tribute to love and friendship, it’s no wonder that beloved dogs began to show up in the earliest strips.