The photographs of dog shadows by Thomas Roma capture the form and motion of dogs in a way that pictures of their actual bodies don’t. Roma went to a local dog park in Brooklyn almost daily for years to photograph shadows of dogs. By shooting from a different perspective (quite literally, as his camera was mounted on a seven-foot pole) he revealed something quite different. These dogs have a beauty that comes from the simplicity of their forms.
In Roma’s photos, the shadows both look like the dogs who cast them and appear very different. They are distorted and yet reveal the true essence of the dog form, too. It’s unlikely that anyone would view these photos and not think of Plato’s Allegory of the Cave, in which people trapped in a cave mistake shadows projected onto the wall of the cave for reality because they are unable to see anything but these shadows.
The photographer himself has said that the shadows and their photographs remind him of cave paintings. He loved the dusty pebbled ground and the way it was fresh and new each day. He continued to photograph dogs at the park until the city renovated it and changed the surface.
Roma calls his dog shadow photographs “Mondo Cane” which is Italian for “Dog World” but is also an idiomatic expression meaning “A World Gone Mad.” These photographs have been exhibited in New York, Rome and Tokyo and sold all around the globe.
Who’s inspired to turn their own lens to the shadows of our dogs?