In her new book, The Education of Will, animal behavior pro Patricia McConnell goes somewhat off script, or at least, off the script that her readers have been enthusiastically following over the course of more than a dozen books and booklets she’s authored/ coauthored over the years. In it, she explores the ways early trauma can affect a dog’s behavior, and most certainly affected her own.
Bark: Do you think you would have recognized your need for therapy if Willie hadn’t been such a troubled dog?
New York City’s venerable Metropolitan Museum of Art recently gave back big time to art lovers everywhere when it changed its policy to allow the free, unrestricted use of artworks in its collection that are in the public domain (i.e., not protected by intellectual property laws). Under the Creative Commons Zero (CC0) designation, the Met’s new “open access” policy facilitates scholarly and commercial use of more than 375,000 images. We were so excited by this great news that we went sniffing around to see what we could find to share with you.
IN THE LATER MIDDLE Ages, venery—the historical term for hunting with dogs—became a favorite sport for the aristocracy. Nobles justified it as a way to exercise the body and mind, prevent the sin of idleness, and learn the skills of warfare. Planning and executing the chase (in particular, the hunt for the stag) provided them with opportunities to practice knightly virtues in peacetime.
Clementine, the first winner of our 2017 cover dog contest, was adopted by Sachino Abe and Joshua Haskins from Posh Pets Rescue (PPR) in New York City in October 2015 at a pop-up event organized by Best Friends. She was in the U.S. after being rescued from the dog-meat trade by Soi Dog Foundation; PPR is one of the many groups working with the foundation to rehome dogs saved from the dog meat trade.
Any time Alexandra Horowitz releases a new book is cause for celebration here at Bark. We’ve been fans since her 2009 hit, Inside of a Dog, and have continued to follow her work as she uncovers new insights into our co-pilots’ internal lives and external behaviors.
In addition to teaching psychology, canine cognition and creative non-fiction at Barnard College, Columbia University, she also leads the college’s Dog Cognition Lab.
Last year, in his Bark review of James Rebanks’ remarkable memoir, The Shepherd’s Life, Donald McCaig observed, “It isn’t really a book about dogs. It’s about a world the dogs make possible. It’s the best book I’ve read this year.” Other reviewers also sang its praises; for example, New York Times literary critic Michiko Kakutani called it “utterly compelling,” and named it one of the Top 10 Books of 2015 (it was also on our list).
While I’ve read that Dylan has owned many different dogs—everything from Beagles and Labs to St. Bernards and Great Danes (an eclectic bunch that seems to rival his varied musical styles)—his apparent affinity for them doesn’t stop at the end of the leash.
The dog lies on a rug in the center of the room, head on the floor, one leg stretched across the train of an elegant white dress worn by the painting’s subject, a young woman comfortably settled in a blue chair. The woman’s head is turned in conversation with the artist, who, from his seat nearby, leans forward, palette in hand. The 1880 painting by William Merritt Chase is entitled The Tenth Street Studio, and is one of the artist’s most celebrated works.