My Boxer puppy is allergic to bees.
I found out as I barreled home from work on I-580 East toward the Richmond–San Rafael Bridge one recent afternoon.
Cali—short for “California”— goes to work with me every day. One moment, she was a spry, energetic, sporty Boxer; the next, vomit everywhere, bile and diarrhea all over the passenger seat. I accelerated, crossed two lanes of traffic and pulled onto a wide shoulder just off the exit to the bridge.
Within seconds, my door was open and I was crunching through gravel to the passenger side, driven by adrenalinesoaked instinct: “Dog is sick,” “Have to protect dog,” “Dog comes before you.” I got her out of the car and put her down, watching helplessly as she just kept throwing up thick, yellow bile. She ran toward the bushes and fell on her face, grinding to a halt in dirt and gravel. Out of answers, I picked her up, inadvertently coating my Sevens and Sperry Top-Siders with dog poop. Fashion goes out the window when you’re looking at your best friend dying. I might as well have been wearing a ratty, hand-me-down pair of sweatpants and slippers.
Instinct, that quiet genius that whispers the right answers in your ear in moments of trauma, kicked in again. I called 9-1-1. Who the hell are you supposed to call? There’s no protocol or schematic. Puppy-care books don’t have a section on “What to do when you’re emotionally stranded on the edge of a highway with a dying, breathless puppy.”
One ring, and a female operator picked up.
“9-1-1, how can I help you?”
“Ma’am, my dog is dying!”
Cars piled up at the nearby intersection and pale, worried faces turned toward a man holding a limp puppy and screaming helplessly into his phone.
Turns out, the woman who picked up the call was an angel. She was exactly the right person at exactly the right time—a serendipitous turn of events that allowed her to know exactly what I needed.
“Sir, there’s an emergency vet clinic in San Rafael. I’m putting you through now.”
The phone rang once, and a man picked up. He told me the address. With shaky, uncertain, too-large-to-be-effective-onan- iPhone-keypad fingers, I punched it into the phone’s maps app. Cali’s tongue was hanging out of the side of her mouth.
And this is where the story became all too familiar. The surreal events that were unfolding in front of me were uncannily similar to the scene in Pulp Fiction in which Vincent Vega (John Travolta) races across Los Angeles with his mob boss’s wife overdosing in the passenger seat. Because I’d watched the scene at least 20 times, I knew what I needed to do. When the action kicks in in real life, being a movie buff pays dividends. I went into attack mode. This story would have a happy ending.
I screeched through a red light to get back on the highway, and drove to the vet clinic. Cali was Mia Wallace—eyes rolled back in her head, froth around her mouth and nostrils— and I was Vincent Vega, driving at breakneck speed in his candy-apple red Chevy Malibu (or in my case, an unassuming black Toyota Prius). I weaved through traffic. Horns blared.
In the passenger seat, Cali continued throwing up. Weak and exhausted, she rested her head on my outstretched arm, her bloodshot eyes rolling lazily around in their sockets.
All I could think to do was talk to her.
“Cali, you can’t die. You’re so important to me. I know it’s ridiculous, but you literally are my best friend. You can’t die. The six months you’ve been alive—we’ve spent every moment together.”
The robotic female map narrator told me to take the next exit.
As Cali continued to slip away, I sped off the exit, right into a wall of traffic and nearly into the rear end of another car.
“Cali, Cali, Cali …”
Looking over at her, I thought she had died. Her eyes weren’t registering; they were glazed over and the inner eyelid covered most of her pupil. I stuck my face next to her muzzle and could feel only the faintest whisper of breath.